Schwarze Erde

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Release Date: 5th Apr 2024
Catalogue No: SM435
Label: Solo Musica
Length: 54 minutes

Usually despatched in 3 - 4 working days

Bartók: Acht ungarische Volkslieder

Work length10:52

$8.00

$10.40

$14.00

Corinna Scheurle, Klara Hornig

I. Fekete föd (Schwarz die Erde)

Track length1:24

$1.00

$1.30

$1.75

II. Istenem, áraszd meg a vizet (Mein Gott, lass die Wasser schwellen)

Track length1:34

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III. Asszonyok, had legyek társatok (Frauen, lasst mich eure Gesellin sein)

Track length0:54

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IV. Annyi bánat (All das Leid)

Track length1:14

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V. Ha kimegyek arr’ a magos tetőre (Wenn ich hinaufsteige auf den hohen Berg)

Track length1:08

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VI. Töltik a nagy erdő útját (Sie füllen den großen Waldweg)

Track length1:41

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VII. Eddig való dolgom a tavaszi szántás (Bisher war meine Aufgabe das Pflügen)

Track length1:49

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VIII. Olvad a hó (Der Schnee schmilzt)

Track length1:08

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Schumann: Fünf Lieder op. 40

Work length11:18

$5.00

$6.50

$8.75

Corinna Scheurle, Klara Hornig

I Märzveilchen

Track length1:25

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II Muttertraum

Track length3:01

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III Der Soldat

Track length2:34

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IV Der Spielmann

Track length3:22

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V Verratene Liebe

Track length0:56

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Kodály: Sieben Gesänge op. 6

Work length24:29

$6.00

$7.80

$10.50

Corinna Scheurle, Klara Hornig

I. Magányosság (Einsamkeit)

Track length3:35

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II Levéltöredék barátnémhoz (Brieffragment)

Track length5:37

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III Az élet dele (Teil des Lebens)

Track length5:26

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IV A tavasz (Der Frühling)

Track length2:42

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V Búsan csörög a lomb (Traurig braust der Wald)

Track length3:27

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VI Elfojtódás (Ersticken)

Track length3:42

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Berg: Vier Lieder op. 2

Work length8:11

$4.00

$5.20

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Corinna Scheurle, Klara Hornig

I Schlafen, schlafen

Track length3:13

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II Schlafend trägt man mich

Track length1:09

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III Nun ich der Riesen Stärksten überwand

Track length0:58

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IV Warm die Lüfte

Track length2:51

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About

In the 20th Century, whilst new song forms emerged around the world, including genres such as jazz, rock and pop, the classical art song of the 19th Century lost popularity. A singer, a piano, poems of love and death, and a romantic tonal language: the leading art form of the bourgeois salon increasingly became a musical niche for lovers and afficionados. The heyday of the European art song, which began in the middle of the 18th century, came to an end at the beginning of the 20th century. However, the composers Béla Bartók and Zoltán Kodály took a different path: they renewed the art song by returning it to its folk origins. The most fascinating thing about the work of these two musicians was not just their painstaking ethnomusicological field research. Whilst they preserved Hungarian folk music, recording (as best they could at the time) and notating this music, they also allowed it to inspire their own compositions. At this Time, when many musicians appropriated folk music for political reasons, Bartók and Kodály created a genuine folk art that did not pander or simplify, but spoke of feelings that directly touched its listeners.

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