Special offer. Chopin & Beethoven: Sonatas
Funeral March & Hammerklavier
Beatrice Rana (piano)
Awards:
-
International Classical Music Awards, 2025, Nominated - Solo Instrument
-
Gramophone Magazine, Critics' Choice 2024
these interpretations hold interest for Rana’s strong personality, her obvious and sincere engagement with these works and her willingness to take risks in pursuit of the music behind the notes....
Special offer. Chopin & Beethoven: Sonatas
Funeral March & Hammerklavier
Beatrice Rana (piano)
Purchase product
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Awards:
-
International Classical Music Awards, 2025, Nominated - Solo Instrument
-
Gramophone Magazine, Critics' Choice 2024
these interpretations hold interest for Rana’s strong personality, her obvious and sincere engagement with these works and her willingness to take risks in pursuit of the music behind the notes....
About
Beatrice Rana, characterised by Gramophone as a pianist of “fire and poetry, imagination and originality, temperament and charm, all on top of fearless technical address”, brings together two monumental sonatas: Beethoven’s Hammerklavier Piano Sonata (No. 29) and Chopin’s Piano Sonata No. 2 in B♭minor, Op. 35, famous for its third movement, the Funeral March.
Contents and tracklist
Work length27:37
This work is only available as an album download.
III. Marche funèbre. Lento
Track length10:27
This track is only available as an album download.
Work length43:37
This work is only available as an album download.
I. Allegro
Track length10:38
This track is only available as an album download.
III. Adagio sostenuto
Track length18:39
This track is only available as an album download.
Spotlight on this release
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Awards and reviews
-
International Classical Music Awards2025Nominated - Solo Instrument
-
Gramophone MagazineCritics' Choice 2024
March 2024
these interpretations hold interest for Rana’s strong personality, her obvious and sincere engagement with these works and her willingness to take risks in pursuit of the music behind the notes. I may not agree with everything Rana does, but I believe her.
