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Mendelssohn: Lieder ohne Worte
Igor Levit (piano)
Designed for children and amateurs, their charms are generally underrated by professionals – but Levit finds beauty in them, expressed with a warm touch and pleasing emotional directness.
Mendelssohn: Lieder ohne Worte
Igor Levit (piano)
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Designed for children and amateurs, their charms are generally underrated by professionals – but Levit finds beauty in them, expressed with a warm touch and pleasing emotional directness.
About
Igor Levit releases a new album as his personal artistic reaction to the October 7 attacks on Israel and the current rise in anti-Semitism worldwide. The album contains his selection of “Songs without Words” by Felix Mendelssohn and concludes with one Prelude by French Romantic composer Charles-Valentin Alkan. Igor Levit and his team have given their time pro-bono and his proceeds will be donated to two German organizations fighting anti-Semitism - OFEK Advice Center for Anti-Semitic Violence and Discrimination and the Kreuzberg Initiative Against Anti-Semitism.
Igor Levit explains, “I made this recording out of a very, very strong inner necessity. I spent the first four or five weeks after the attack on October 7th in a mixture of speechlessness and total paralysis. And at some point, it became clear that I had no other tools than to react as an artist. I have the piano. I have my music. And so, the idea came to me to record these works, the “Songs without Words” and to donate my proceeds from this recording to two wonderful organizations that work in my hometown here in Berlin to help people who experience anti-Semitism and to help young people avoid falling into the clutches of anti-Semitism. It is my artistic reaction, as a person, as a musician, as a Jew, to what I have felt in the last few weeks and months. Or to put it more precisely, it is one of many reactions that came to mind.”
Contents and tracklist
Awards and reviews
March 2024
Designed for children and amateurs, their charms are generally underrated by professionals – but Levit finds beauty in them, expressed with a warm touch and pleasing emotional directness.
February 2024
It doesn’t do to add extra sugar to these little bonbons and Levit lets the music speak for itself, to create its own effect.
14th February 2024
If overworked and sentimentalised, a string of them could easily become cloying. Levit wisely treats them with restraint, letting their beauty and sadness (eight are in minor keys) tug at our hearts and minds no matter how one feels about the continuing Middle East war. Levit’s masterstroke, however, lies not so much with his Mendelssohn interpretations as with his powerful final track: an enigmatic piano prelude by the eccentric Charles-Valentin Alkan, written in 1844.