Help
Skip to main content

US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details

Mendelssohn: Lieder ohne Worte

Igor Levit (piano)

Mendelssohn: Lieder ohne Worte
Designed for children and amateurs, their charms are generally underrated by professionals – but Levit finds beauty in them, expressed with a warm touch and pleasing emotional directness.

Mendelssohn: Lieder ohne Worte

Igor Levit (piano)

Purchase product

CD

$16.25

2 in stock: usually despatched within 1 working day

Download

From$11.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$18.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$15.00

320 kbps, MP3

$11.00

No digital booklet included

Stream now Hi-RES 96 kHz, 24 bit
Designed for children and amateurs, their charms are generally underrated by professionals – but Levit finds beauty in them, expressed with a warm touch and pleasing emotional directness.

About

Igor Levit releases a new album as his personal artistic reaction to the October 7 attacks on Israel and the current rise in anti-Semitism worldwide. The album contains his selection of “Songs without Words” by Felix Mendelssohn and concludes with one Prelude by French Romantic composer Charles-Valentin Alkan. Igor Levit and his team have given their time pro-bono and his proceeds will be donated to two German organizations fighting anti-Semitism - OFEK Advice Center for Anti-Semitic Violence and Discrimination and the Kreuzberg Initiative Against Anti-Semitism.

Igor Levit explains, “I made this recording out of a very, very strong inner necessity. I spent the first four or five weeks after the attack on October 7th in a mixture of speechlessness and total paralysis. And at some point, it became clear that I had no other tools than to react as an artist. I have the piano. I have my music. And so, the idea came to me to record these works, the “Songs without Words” and to donate my proceeds from this recording to two wonderful organizations that work in my hometown here in Berlin to help people who experience anti-Semitism and to help young people avoid falling into the clutches of anti-Semitism. It is my artistic reaction, as a person, as a musician, as a Jew, to what I have felt in the last few weeks and months. Or to put it more precisely, it is one of many reactions that came to mind.”

Contents and tracklist

No. 1 in E Major. Andante con moto, MWV U 86
Track length2:47
No. 2 in A Minor. Andante espressivo, MWV U 80
Track length2:31
No. 4 in A Major. Moderato, MWV U 73
Track length1:39
No. 6 in G Minor. Andante sostenuto, MWV U 78 "Venetian Gondola Song"
Track length2:16
No. 1 in E-Flat Major. Andante espressivo, MWV U 103
Track length3:58
No. 3 in E Major. Adagio non troppo, MWV U 104
Track length2:12
No. 6 in F-Sharp Minor. Allegretto tranquillo, MWV U 110 "Venetian Gondola Song"
Track length3:22
No. 2 in C Minor. Allegro non troppo, MWV U 115
Track length1:49
No. 6 in A-Flat Major. Andante con moto, MWV U 119 "Duetto"
Track length2:18
No. 4 in F Major. Adagio, MWV U 114 "Sadness of Soul"
Track length2:30
No. 5 in A Minor. Allegro con fuoco, MWV U 153 "Folksong"
Track length2:31
No. 3 in E Minor. Andante maestoso, MWV U 117 "Funeral March"
Track length3:18
No. 5 in A Minor. Andante con moto, MWV U 151 "Venetian Gondola Song"
Track length2:45

Awards and reviews

March 2024

Designed for children and amateurs, their charms are generally underrated by professionals – but Levit finds beauty in them, expressed with a warm touch and pleasing emotional directness.

February 2024

It doesn’t do to add extra sugar to these little bonbons and Levit lets the music speak for itself, to create its own effect.

14th February 2024

If overworked and sentimentalised, a string of them could easily become cloying. Levit wisely treats them with restraint, letting their beauty and sadness (eight are in minor keys) tug at our hearts and minds no matter how one feels about the continuing Middle East war. Levit’s masterstroke, however, lies not so much with his Mendelssohn interpretations as with his powerful final track: an enigmatic piano prelude by the eccentric Charles-Valentin Alkan, written in 1844.
View download progress