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Mozart: Piano Concertos Nos. 6 & 8

Academy of Ancient Music, Robert Levin (fortepiano), Bojan Čičić (violin), Ya-Fei Chuang (fortepiano)

Laurence Cummings

Mozart: Piano Concertos Nos. 6 & 8

Awards:

The performance is constantly alive, alert and superbly done...If the sound is one delight, others include the deft playing , sprightly tempos, and dynamics that convey drama without ever being...

Mozart: Piano Concertos Nos. 6 & 8

Academy of Ancient Music, Robert Levin (fortepiano), Bojan Čičić (violin), Ya-Fei Chuang (fortepiano)

Laurence Cummings

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Awards:

The performance is constantly alive, alert and superbly done...If the sound is one delight, others include the deft playing , sprightly tempos, and dynamics that convey drama without ever being...

About

"Academy of Ancient Music (AAM) releases the penultimate volume of an acclaimed project to record Mozart’s complete works for keyboard and orchestra. This volume includes Mozart’s Concerto No. 7 for Three Pianos and Orchestra, performed here uniquely on three different types of keyboard instruments: by Robert Levin (tangent piano), Ya-Fei Chuang (fortepiano) and Laurence Cummings (harpsichord). It follows the release of the same concerto in Mozart’s own arrangement for two keyboards (Vol. 11) and is joined on this album by two other Piano Concertos composed in Salzburg in the early months of 1776. The hardback CD package is accompanied by comprehensive notes commissioned specially for the album."

Contents and tracklist

I. Allegro aperto
Track length6:41
II. Andante un poco adagio
Track length4:48
III. Rondo. Allegro
Track length7:07
I. Allegro
Track length8:48
II. Adagio
Track length8:02
III. Rondo. Tempo di minuetto
Track length5:48
I. Allegro aperto
Track length7:04
II. Andante
Track length5:46
III. Rondo. Tempo di minuetto
Track length6:37

Awards and reviews

  • BBC Music Magazine
    May 2024
    Concerto Choice

May 2024

The performance is constantly alive, alert and superbly done...If the sound is one delight, others include the deft playing , sprightly tempos, and dynamics that convey drama without ever being exaggerated.

April 2024

Levin plays with such personality and identification with the music that rather than being lost in the melee, he becomes an equal protagonist peeping out of and then retreating into the orchestral texture.
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