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Special offer. Bartók: Piano Concertos

Pierre-Laurent Aimard (piano), San Francisco Symphony, Esa-Pekka Salonen

Bartók: Piano Concertos

Awards:

There is much playing here of a clarity, velocity and exactitude that can make the jaw drop, and he, Salonen and the San Francisco Symphony seem to be on the same conceptual page throughout....

Special offer. Bartók: Piano Concertos

Pierre-Laurent Aimard (piano), San Francisco Symphony, Esa-Pekka Salonen

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit

Awards:

There is much playing here of a clarity, velocity and exactitude that can make the jaw drop, and he, Salonen and the San Francisco Symphony seem to be on the same conceptual page throughout....

About

Pianist Pierre-Laurent Aimard joins forces with the San Francisco Symphony and Music Director Esa-Pekka Salonen for a recording of Bartok's complete piano concertos. A pianist himself, Bartok imbued his three concertos with multiple aspects of his compositional persona, ranging from complex and innovative (the First) to exuberant (the Second) and serene (the Third). The result is a fascinating slice of his musical life. This all-Bartok release marks the first Pentatone collaboration between Esa-Pekka Salonen and the San Francisco Symphony, an ensemble he has reshaped through creative performance concepts and expansive new media projects.

A renowned champion of twentieth-century music, Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone, including Messiaen's Catalogue d'Oiseaux (2018) and Visions de l'Amen (2022), along with Beethoven's Hammerklavier Sonata & Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023), with music by Vassos Nicolaou. Salonen returns to the label for the first time since his recording of Stravinsky's Persephone (2018); the San Francisco Symphony previously appeared on the 2005 Pentatone release Young America.

Contents and tracklist

I. Allegro moderato — Allegro
Track length9:27
II. Andante — attacca
Track length7:42
III. Allegro molto
Track length7:25
I. Allegro
Track length9:50
II. Adagio — Presto — Più adagio
Track length12:50
III. Allegro molto
Track length6:29
I. Allegretto
Track length7:59
II. Adagio religioso
Track length10:21
III. Allegro vivace
Track length7:18

Awards and reviews

  • International Classical Music Awards
    2024
    Nominated - Concerto
  • Opus Klassik Awards
    2024
    Nominated - Concerto Recording of the Year
  • Gramophone Awards
    2024 Shortlist
    Shortlisted - Concerto

December 2023

There is much playing here of a clarity, velocity and exactitude that can make the jaw drop, and he, Salonen and the San Francisco Symphony seem to be on the same conceptual page throughout. Nevertheless, at times the result comes across as somewhat clinical.

November 2023

Clean textures and effortless fluency might have been expected from the present line-up but not a subtler magic, the stylistic contrast they make between scores to reflect their place in the composer’s timeline.

24th September 2023

As Salonen and the San Francisco Symphony sweep thrillingly into the First Piano Concerto’s Allegro, Pierre-Laurent Aimard luxuriates in the space they leave him on a superbly recorded disc. Everything is clear, weighted, precise, fluent, revelatory...“Definitive” is a daft word to use about an interpretation. How can we truly know? But superlative this absolutely is.
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