Maltworms and Milkmaids: Warlock and the Orchestra
Ben McAteer, Nadine Benjamin (soprano), Helen Neeves, Rebecca Lea (soprano), BBC Concert Orchestra, BBC Singers, David Hill
Awards:
-
Presto Editor's Choice, August 2023
a sugar rush is skilfully sidestepped thanks to some adroit programming that leavens the ‘merry England’ period charm with strategically placed antidote...the star of the album is Ben McAteer...
Maltworms and Milkmaids: Warlock and the Orchestra
Ben McAteer, Nadine Benjamin (soprano), Helen Neeves, Rebecca Lea (soprano), BBC Concert Orchestra, BBC Singers, David Hill
Purchase product
Awards:
-
Presto Editor's Choice, August 2023
a sugar rush is skilfully sidestepped thanks to some adroit programming that leavens the ‘merry England’ period charm with strategically placed antidote...the star of the album is Ben McAteer...
About
This important release by EM Records, including no fewer than seventeen world premiere recordings, contains all of Peter Warlock's music which involves the use of an orchestra. Its title alludes to two of his compelling interests: beer, and the opposite sex. A third interest was the revival of old music, as characterised by his suiteCapriol, for which, alongside his beautiful carols and some of his solo songs, he is best known.
Essentially a miniaturist, Warlock used an orchestra for ten other short works and a brass band for two more, all but two of them with voices. In addition, Warlock's various publishers authorised the issue of orchestral accompaniments for at least ten of his songs by other orchestrators, though all of these remained in manuscript until the recent research for this disc by the Peter Warlock Society has led to their emergence.
The works on this disc, largely composed in the 1920s, cover a wide range of moods, from the rumbustious tributes to drink inMr. Belloc's FancyandCaptain Stratton's Fancyto the sensibility ofThe First MercyandBalulalow. They illustrate Warlock's links both with English folk song and with contemporary continental angular harmonic developments. Overall, the works of few twentieth century composers convey such a sense both of tenderness and of exuberant enjoyment.
Contents and tracklist
- Arr. for Voice & Orchestra by Anonymous
- Ben McAteer
- BBC Concert Orchestra
- David Hill
- Arr. for Voice & Orchestra by Frederick Bye
- Ben McAteer
- BBC Concert Orchestra
- David Hill
- Arr. for Voice & Orchestra by Peter Hope
- Ben McAteer
- BBC Concert Orchestra
- David Hill
- Arr. for Voice & Orchestra by Henry Geehl
- Ben McAteer
- BBC Concert Orchestra
- David Hill
- Arr. for Choir & Orchestra by Reginald Jacques
- BBC Singers, BBC Concert Orchestra
- David Hill
- Arr. for Choir & Orchestra by David Lane
- BBC Singers, BBC Concert Orchestra
- David Hill
- Arr. for Choir & Orchestra by Anonymous
- BBC Singers, BBC Concert Orchestra
- David Hill
- Arr. for Voice & Orchestra by Gerrard Williams
- Ben McAteer
- BBC Concert Orchestra
- David Hill
- Arr. for Voice & Orchestra by Kenneth Regan
- Ben McAteer
- BBC Concert Orchestra
- David Hill
- Nadine Benjamin, Ben McAteer
- BBC Concert Orchestra
- David Hill
- Arr. for Voice & Orchestra by Anonymous
- Ben McAteer
- BBC Singers, BBC Concert Orchestra
- David Hill
- Ben McAteer
- BBC Singers, BBC Concert Orchestra
- David Hill
Awards and reviews
-
Presto Editor's ChoiceAugust 2023
November 2023
a sugar rush is skilfully sidestepped thanks to some adroit programming that leavens the ‘merry England’ period charm with strategically placed antidote...the star of the album is Ben McAteer whose agreeably lyrical baritone can effortlessly muster plenty of much-called-upon swagger and suggestive tongue-in-cheekery.
August 2023
McAteer is suitably hale and hearty in the rumbustious drinking-songs and Benjamin radiant in the more reflective numbers, whilst the BBC Singers bring real eloquence to the selection of carols. And the purely orchestral works (almost all with a pronounced French accent) are beautifully done, especially the Debussy-ish An Old Song and the Serenade composed for Delius's sixtieth birthday, which sounds as if it could easily have sprung from the pen of its dedicatee.