Eduard Tubin: Kratt
Florian Donderer (soloist), Estonian Festival Orchestra, Paavo Järvi
Listening to performances of such high intensity, focus and narrative power as this makes you long for the full EFO to stop bringing us bits and pieces and record some (or all) of Tubin’s symphonies.
Eduard Tubin: Kratt
Florian Donderer (soloist), Estonian Festival Orchestra, Paavo Järvi
Purchase product
Listening to performances of such high intensity, focus and narrative power as this makes you long for the full EFO to stop bringing us bits and pieces and record some (or all) of Tubin’s symphonies.
About
For their fourth recording on Alpha Classics, Paavo Järvi and the Estonian Festival Orchestra - who bring together the best Estonian talent and leading musicians from around the world each year in Pärnu - celebrate composers from Estonia and Poland, two na tions closely connected by their history. Eduard Tubin (1905 - 1982) is a composer whose ten symphonies tower at the top of Estonian orchestral music. The same may be said about his stage works. World War II forced Tubin to emigrate to Sweden in 1944, where he spent the rest of his life. Suite from the ballet Kratt (Goblin) is based on Tubin’s ballet by the same name, which was also the first ballet in Estonian musical history... Musique funèbre by Polish composer Witold Lutosławski (1913 - 1994), was composed in memory of Béla Bartók and its premiere commemorated the 10th anniversary of the Hungarian composer’s death. Bartók’s Orchestral Concerto inspired the Concerto for String Orchestra composed in 1948 by Grażyna Bacewicz (1909 - 1969). Ignored for many years, s he is now one of Poland’s most popular female composers.
Contents and tracklist
- Florian Donderer (soloist)
- Estonian Festival Orchestra
- Paavo Järvi
- Florian Donderer (soloist)
- Estonian Festival Orchestra
- Paavo Järvi
- Florian Donderer (soloist)
- Estonian Festival Orchestra
- Paavo Järvi
- Florian Donderer (soloist)
- Estonian Festival Orchestra
- Paavo Järvi
Awards and reviews
October 2023
Listening to performances of such high intensity, focus and narrative power as this makes you long for the full EFO to stop bringing us bits and pieces and record some (or all) of Tubin’s symphonies.