Help
Skip to main content

Portraits of A Mind

Venables & Vaughan Williams

Alessandro Fisher (tenor), Navarra Quartet, William Vann (piano)

Awards:

The cycle's five songs are exceptionally well sung by Alessandro Fisher, who convincingly encompasses emotions stretching from the balmy pastoralism of the opening ‘The Lark Ascending’ (with...

Portraits of A Mind

Venables & Vaughan Williams

Alessandro Fisher (tenor), Navarra Quartet, William Vann (piano)

Purchase product

CD

$17.00

10+ available: usually despatched in 3 - 4 working days

Download

From$9.25

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$17.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$9.25

This release includes a digital booklet

Stream now Hi-Res 96 kHz, 24 bit
Fair Play.
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model

Awards:

The cycle's five songs are exceptionally well sung by Alessandro Fisher, who convincingly encompasses emotions stretching from the balmy pastoralism of the opening ‘The Lark Ascending’ (with...

About

2022 marked Vaughan Williams's 150th birthday, for which The Ralph Vaughan Williams Society commissioned a new work from Ian Venables, one of Britain's most distinguished composers and a master of song composition.

Venables has created a song cycle, Portraits of a Mind, using the same forces (tenor, piano and string quartet) as those specified for Vaughan Williams's song cycle On Wenlock Edge. The work paints a series of five portraits of Vaughan Williams by setting poets associated with him: George Meredith (The Lark Ascending, of course); Ursula Vaughan Williams; Robert Louis Stevenson; Christina Rossetti; and Walt Whitman.

The new work was premiered at The Oxford Lieder Festival last November, and John Quinn (Seen and Heard International) wrote: "These five songs constitute a very fine and eloquent tribute to VW. Venables has achieved a well-deserved reputation as a pre-eminent composer of English song and he proved to be, as I had expected, an ideal choice for this Ralph Vaughan Williams Society commission."

The review continued: "Alessandro Fisher, a past member of the BBC's New Generation Artists scheme (2018-21), made an immediate impression. His ringing voice was ideally suited to the music and I was impressed by the clarity both of his diction and his tone, qualities which were to be a feature of the whole concert."\n\nOn Wenlock Edge is the ideal companion for this recording - but we knew that Vaughan Williams's Four Hymns were also arranged for tenor, piano and string quartet in 1925, and performed by Steuart Wilson and others. That score is lost, so we commissioned Iain Farrington to create a modern replacement.

The recording was directed by pianist William Vann, accompanied by the Navarra String Quartet.

Contents and tracklist

I. On Wenlock Edge
Track length3:50
II. From Far, From Eve and Morning
Track length2:05
III. Is My Team Ploughing?
Track length3:52
IV. Oh, When I Was in Love With You
Track length0:49
V. Bredon Hill
Track length7:50
VI. Clun
Track length3:47
I. The Lark Ascending
Track length5:22
II. Man Makes Delight His Own
Track length4:11
III. From a Railway Carriage
Track length1:53
IV. Echo
Track length6:19
V. A Clear Midnight
Track length3:37
I. Lord! Come Away
Track length3:57
II. Who is This Fair One?
Track length4:25
III. Come Love, Come Lord
Track length3:35
IV. Evening Hymn (O Gladsome Light)
Track length3:21

Spotlight on this release

Awards and reviews

July 2023

The cycle's five songs are exceptionally well sung by Alessandro Fisher, who convincingly encompasses emotions stretching from the balmy pastoralism of the opening ‘The Lark Ascending’ (with chirruping near-quotations from VW), to the pained retrospection of the Rossetti setting ‘Echo’...But it ’s Fisher’s On Wenlock Edge which is the true jewel of this particular collection.

July/August 2023

Venables’s settings are exemplary for their sensitivity to the chosen texts and ability to underline and illuminate their meanings, and Fisher is an ideal vocal exponent thrilling in the sensitivity as well as the sheer beauty of his singing.

August 2023

The result is an original and beautifully balanced cycle that, frankly, would grace any recital or recording. It receives a marvellous rendition from Fisher, and the accompaniments by The Navarra Quartet and William Vann (some may find these a touch reverential; I do not) are near ideal.
View download progress