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Cecilia McDowall: Da Vinci Requiem, Seventy Degrees Below Zero

Kate Royal (soprano), Benjamin Hulett (tenor), Roderick Williams (baritone), City of London Sinfonia, Neil Ferris, Wimbledon Choral

Awards:

With gently swirling, shimmering, beautifully orchestrated textures of ten imbued with a devotional mystery, the spirit [of the Requiem] is of a step on from the larger choral statements of...

Cecilia McDowall: Da Vinci Requiem, Seventy Degrees Below Zero

Kate Royal (soprano), Benjamin Hulett (tenor), Roderick Williams (baritone), City of London Sinfonia, Neil Ferris, Wimbledon Choral

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This release includes a digital booklet

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Awards:

With gently swirling, shimmering, beautifully orchestrated textures of ten imbued with a devotional mystery, the spirit [of the Requiem] is of a step on from the larger choral statements of...

About

“Da Vinci Requiem brings together my chosen Latin texts from the Missa pro Defunctis with extracts from The Notebooks of Leonardo da Vinci, and is structured in seven movements in the shape of an arch... It has been a fascinating exploration, aligning Leonardo’s extraordinary insights, both artistic and philosophical, with such a profound and ancient text.

“Seventy degrees below zero is a three-movement work for chamber orchestra and tenor soloist. [Inspired by work carried out by the Scott Polar Research Institute], the phrase for the title was taken from Scott’s Letter to his wife: ‘Dear, it is not easy to write because of the cold - 70 degrees below zero.’ The scientific exploration and data collected by Captain Scott’s team at the beginning of the 20th century still powerfully underlies the research which continues to this day. It was with a desire to join the past with the present that I asked the poet, Seán Street, to write two poems to accompany Scott’s words: words from ‘then’ and words from ‘now’.” - Cecilia McDowall

Wimbledon Choral has been described by many as “one of the most substantial and formidable choirs in London... a vigorous and sophisticated choral ensemble.” The choir is over 100 years old, re-founded in the early stages of the First World War, but its earliest recorded roots go back to 1870. Today they are a modern, dynamic group of singers, always ready to stretch themselves and try new things, making sure they keep up the reputation of one of the finest amateur symphonic choirs in South East England.

Contents and tracklist

I. Introit and Kyrie
Track length5:17
II. The Virgin of the Rocks
Track length4:34
III. I Obey Thee, O Lord (Lacrymosa)
Track length4:51
IV. Sanctus and Benedictus
Track length4:32
V. Agnus Dei
Track length5:24
VI. O You Who Are Asleep
Track length5:17
VII. Lux Aeterna
Track length4:46
I. We Measure
Track length6:27
II. The Ice Tree
Track length7:42
III. To My Widow
Track length8:05

Spotlight on this release

Awards and reviews

  • Presto Editor's Choice
    April 2023

June 2023

With gently swirling, shimmering, beautifully orchestrated textures of ten imbued with a devotional mystery, the spirit [of the Requiem] is of a step on from the larger choral statements of Vaughan Williams...The City of London Sinfonia are sensitive partners to the voices throughout, while conductor Neil Ferris should be commended for his judicious pacing and marshalling of all involved.

April 2023

Weaving extracts from The Notebooks of Leonardo da Vinci together with texts from the Latin Mass, the Da Vinci Requiem contains many passages of luminous beauty...More striking still is the almost Britten-esque Seventy Degrees Below Zero, which paints an extraordinarily vivid picture of Scott's final, doomed Antarctic expedition; tenor Ben Hulett is incredibly moving here, particularly in the closing section setting the explorer's last letter to his wife.
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