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Puccini: La Bohème
Merūnas Vitulskis, John Molloy, Ben McAteer, Eddie Wade, Celine Byrne, David Bizic, Fearghal Curtis, Anna Devin, David Howes, Rory Dunne, Irish National Opera, Irish National Opera Chorus, Sergio Alapont
Vitulskis begins to sound like a young Pavarotti and by the time they sing their farewell duet in Act III Byrne has banished thoughts of other Mimìs…It’s Sergio Alapont in the pit who really...
Puccini: La Bohème
Merūnas Vitulskis, John Molloy, Ben McAteer, Eddie Wade, Celine Byrne, David Bizic, Fearghal Curtis, Anna Devin, David Howes, Rory Dunne, Irish National Opera, Irish National Opera Chorus, Sergio Alapont
Purchase product
Vitulskis begins to sound like a young Pavarotti and by the time they sing their farewell duet in Act III Byrne has banished thoughts of other Mimìs…It’s Sergio Alapont in the pit who really...
About
The Paris of love and art. A poet, a painter, a musician and a philosopher. Living hand to mouth in a freezing garret. Christmas cheer and a heart won by girl next door. The tragedies of love and poverty. Puccini’s best-loved opera is touching, comic, realistic and romantic, true for any time in which deep bonds can flower in the face of adversity.
Experience the power of Puccini’s sublime score in this new concert performance by Irish National opera, featuring celebrated Irish sopranos Celine Byrne and Anna Devin, in the roles of Mimì and Musetta.
Contents and tracklist
- Merūnas Vitulskis, John Molloy, Ben McAteer, Eddie Wade, Celine Byrne, David Bizic
- Irish National Opera
- Sergio Alapont
- Merūnas Vitulskis, Ben McAteer, Eddie Wade, Celine Byrne, John Molloy, Fearghal Curtis, David Bizic, Anna Devin
- Irish National Opera, Irish National Opera Chorus
- Sergio Alapont
- David Howes, Rory Dunne, David Bizic, Anna Devin, Celine Byrne, Merūnas Vitulskis
- Irish National Opera
- Sergio Alapont
- Merūnas Vitulskis, David Bizic, Ben McAteer, John Molloy, Anna Devin, Celine Byrne
- Irish National Opera
- Sergio Alapont
Awards and reviews
May 2022
Vitulskis begins to sound like a young Pavarotti and by the time they sing their farewell duet in Act III Byrne has banished thoughts of other Mimìs…It’s Sergio Alapont in the pit who really makes the difference, subtly stretching Puccini’s tempos for maximum dramatic effect, finding orchestral details in a familiar score that you had forgotten, or never properly heard, and above all letting his singers lead.
