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Havergal Brian: Faust

Peter Hoare, (Faust), David Soar (Mephistopheles), Allison Cook (Gretchen), William Morgan (Raphael), Robert Hayward (Gabriel), Elgan Llyr Thomas (Michael), Simon Bailey (Der Herr [God], Bösergeist [Evil Spirit]), David Ireland (Erdgeist [Earth Spirit]), Katie Coventry (Schüler [Student]), Nicholas...

Havergal Brian: Faust
The opera is a remarkable achievement...The central roles are all well done. Tenor Peter Hoare summons up the entire range and expressive variety required for Faust. David Soar’s voluminous...

Havergal Brian: Faust

Peter Hoare, (Faust), David Soar (Mephistopheles), Allison Cook (Gretchen), William Morgan (Raphael), Robert Hayward (Gabriel), Elgan Llyr Thomas (Michael), Simon Bailey (Der Herr [God], Bösergeist [Evil Spirit]), David Ireland (Erdgeist [Earth Spirit]), Katie Coventry (Schüler [Student]), Nicholas...

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The opera is a remarkable achievement...The central roles are all well done. Tenor Peter Hoare summons up the entire range and expressive variety required for Faust. David Soar’s voluminous...

About

The British composer Havergal Brian (1876-1972) considered his opera “Faust” to be his greatest single achievement, but he never heard a note of it performed. To mark the 50th anniversary of the composer’s death, the orchestra and chorus of English National Opera, recorded at Abbey Road Studios, give the world premiere of the complete work under the baton of the ENO’s Music Director, Martyn Brabbins.

Composed in 1955-56, Brian’s opera arguably comes closer than any other musical adaptation of “Faust” to the spirit of Goethe’s original, setting large portions of Part One of the drama in the original German. Brian’s own skilful adaptation distils the essence of Goethe’s epic tragedy, focusing on the central figures of Faust, Gretchen, and Mephistopheles.

Highlights include the spectacular orchestral “Night Ride of Faust and Mephistopheles,” and the Cathedral scene, in which the terrified Gretchen is pursued by an evil spirit while a sinister invisible chorus intones the Latin “Dies Irae.”

Showcasing some of today’s finest operatic talent, this SACD release – which includes a comprehensive 68-page booklet with the complete libretto (in the original German as well as English translation), a detailed synopsis, and an in-depth essay – represents a landmark in the history of British opera on record.

Artists

Peter Hoare, (Faust), David Soar (Mephistopheles), Allison Cook (Gretchen), William Morgan (Raphael), Robert Hayward (Gabriel), Elgan Llyr Thomas (Michael), Simon Bailey (Der Herr [God], Bösergeist [Evil Spirit]), David Ireland (Erdgeist [Earth Spirit]), Katie Coventry (Schüler [Student]), Nicholas Lester (Valentin), Clare Presland (Marthe), Claire Mitcher (Voice), Orchestra & Chorus of English National Opera, Martyn Brabbins

Contents and tracklist

Awards and reviews

January 2022

The opera is a remarkable achievement...The central roles are all well done. Tenor Peter Hoare summons up the entire range and expressive variety required for Faust. David Soar’s voluminous bass-baritone enables him to go right down into the vocal depths of Mephistopheles. Mezzo-soprano Allison Cook brings certainty and determination to her impassioned Gretchen.

February 2022

Brianophiles need not hesitate, of course, but with such a splendidly realised performance, lovers of British opera will hopefully be won over to a unique and – The Tigers (4/15) aside – hitherto unheard operatic voice.

April 2023

it’s hard to imagine Faust launched more grandly than in this Abbey Road recording under Martyn Brabbins...Peter Hoare’s tenor boasts impeccable diction, conveying Faust’s self-absorbed anguish with feeling, while David Soar’s commanding devil makes hay with Goethe’s earthy idiom...we can be confident that Faust’s composer would have loved hearing this premiere performance.
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