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Specchio Veneziano
Vivaldi & Reali
Victor Julien-Laferrière
Le Consort
Awards:
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Diapason d’Or, November 2021, Nouveauté
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Presto Editor's Choice, November 2021
Salzenstein’s sound is compact and clear, and she has a delicate touch with phrasing. There is much to recommend here. Placing Reali’s music among Vivaldi’s provides a point of reference and...
Specchio Veneziano
Vivaldi & Reali
Victor Julien-Laferrière
Le Consort
Purchase product
Awards:
-
Diapason d’Or, November 2021, Nouveauté
-
Presto Editor's Choice, November 2021
Salzenstein’s sound is compact and clear, and she has a delicate touch with phrasing. There is much to recommend here. Placing Reali’s music among Vivaldi’s provides a point of reference and...
About
Specchio veneziano or the Venetian mirror – this programme compares and contrasts two composers from the city of the Doges: on the one hand the celebrated Vivaldi, on the other a virtual unknown, Giovanni Battista Reali, who was born there in 1681, three years after Vivaldi, and died in 1751, ten years after his illustrious colleague. A violinist himself, he composed trio sonatas, including a very spectacular Folia, which Théotime Langlois de Swarte, Sophie de Bardonnèche, Hanna Salzenstein and Justin Taylor juxtapose with Vivaldi’s Folia, alongside other highly virtuosic pieces, many of them complete rediscoveries, since half of this programme has never been recorded before.
Contents and tracklist
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Awards and reviews
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Diapason d’OrNovember 2021Nouveauté
-
Presto Editor's ChoiceNovember 2021
July/August 2022
Salzenstein’s sound is compact and clear, and she has a delicate touch with phrasing. There is much to recommend here. Placing Reali’s music among Vivaldi’s provides a point of reference and shows how well it holds its own in a crowded field of talented Italian composers of the period.
November 2021
There really is a tangible sense of stepping through the looking-glass in the opening minute of this lovely 'Venetian Mirror' of an album: the group improvisation on some of the musical ideas to come has a glassy, shimmering quality that's instantly beguiling, and that iridescence is shot through the whole programme of works by Vivaldi and his lesser-known contemporary.