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Oceano

Chamber Music by Sebastian Fagerlund

Minna Pensola (violin), Atte Kilpeläinen (viola), Tomas Djupsjöbacka (cello), Christoffer Sundqvist (clarinet), Paavali Jumppanen (piano), Hervé Joulain (horn)

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Oceano

Awards:

The Finn’s natural outlet for his tautly robust, driving energy has been in opera and orchestral works. Yet his chamber music is no less compelling…By turns ferociously rhythmic, playful and...

Oceano

Chamber Music by Sebastian Fagerlund

Minna Pensola (violin), Atte Kilpeläinen (viola), Tomas Djupsjöbacka (cello), Christoffer Sundqvist (clarinet), Paavali Jumppanen (piano), Hervé Joulain (horn)

Meta4

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$18.50

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Awards:

The Finn’s natural outlet for his tautly robust, driving energy has been in opera and orchestral works. Yet his chamber music is no less compelling…By turns ferociously rhythmic, playful and...

About

"It is primarily for his large-scale orchestral works that Sebastian Fagerlund (b. 1972) has attracted attention, but throughout his career he has also composed chamber music. In his production, orchestral and chamber music have a fruitful relationship in which a chamber work may contain the germ of ideas that then appear in a new form in an orchestral score. One example of this is Fuel – a set of six miniatures from 2010 – which grows out of the same basic material as Ignite, a work for large orchestra completed in the same year, although they differ greatly in scale and in character. Common to the two genres is also Fagerlund’s firm grasp of the capabilities of the instruments he is writing for. Some of Finland’s leading instrumentalists join forces on the present album, with French horn player Hervé Joulain making an appearance in Transient Light, which is dedicated to him. The six works were composed between 2007 and 2013 and are all for different constellations and of varying dimensions – from a brief duo in one movement (Scherzic) to a quartet in six (Verso l’interno). But there are also common features that recur throughout the programme; for example machine-like textures against which material with longer lines is reflected, and influences from other genres such as traditional music from the Middle East or rock. These do not appear as direct stylistic loans, however, but rather as elements embedded in Fagerlund’s own music."

Contents and tracklist

I. Sonore
Track length5:50
II. Agitato
Track length6:37
No. 1, Presto preciso
Track length1:24
No. 2, Molto ritmico e meccanico
Track length2:03
No. 3, Leggiero
Track length1:03
No. 4, Tranquillo poco rubato
Track length2:10
No. 5, Molto ritmico e meccanico
Track length0:42
No. 6, Esaltato
Track length0:51
I. Meccanico con forza
Track length4:38
II. Lento misterioso
Track length6:49
III. Introduzione quasi libero - Esaltato
Track length5:13
I. Pròlogo. Tranquillo
Track length2:01
II. Danza I. Feroce
Track length2:53
III. Danza II. Agitato
Track length2:21
IV. Canto. Mesto
Track length5:09
V. Danza III. Agitato capriccioso
Track length3:09
VI. Epilogo. Tranquillo
Track length1:50

Awards and reviews

Christmas 2021

The Finn’s natural outlet for his tautly robust, driving energy has been in opera and orchestral works. Yet his chamber music is no less compelling…By turns ferociously rhythmic, playful and softly luminous, every piece here shares a coherent dramatic arc.

December 2021

Neither the highly sensitive performances nor unsparingly immediate sound leave anything to be desired, and Kimmo Korhonen’s annotations are succinctly perceptive.
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