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Special offer. Sibelius: Luonnotar; Tapiola & Spring Song
Lise Davidsen (soprano), Bergen Philharmonic Orchestra, Edward Gardner
Awards:
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Presto Recording of the Week, 2nd July 2021
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Presto Recordings of the Year, Finalist 2021
[Davidsen's] breath control and even fullness of tone across a two-octave range prove radiantly equal to Sibelius’s uncompromising demands.
Special offer. Sibelius: Luonnotar; Tapiola & Spring Song
Lise Davidsen (soprano), Bergen Philharmonic Orchestra, Edward Gardner
Purchase product
Awards:
-
Presto Recording of the Week, 2nd July 2021
-
Presto Recordings of the Year, Finalist 2021
[Davidsen's] breath control and even fullness of tone across a two-octave range prove radiantly equal to Sibelius’s uncompromising demands.
About
Following their acclaimed recordings of Schoenberg with Sara Jakubiak and Britten’s Peter Grimes with Stuart Skelton, Edward Gardner and the Bergen Philharmonic turn their attention to the music of Sibelius. Written in 1913 for the diva Aino Ackté, the tone poem Luonnotar draws on text from the Finnish national epic poem, the Kalevala. Its virtuosic demands are ably met here by award-wining soprano Lise Davidsen, who also feature in the Suite from Pelléas and Mélisande, music re-worked by Sibelius from his incidental music written for the first performances of Maeterlinck’s play in Helsinki, in 1905, in Swedish. The tone poem Tapiola, from 1926, is Sibelius’ last great masterpiece and evokes the forests of his native Finland. The programme is completed by a pair of much earlier works, Rakastava (the Lover) and Vårsång (Spring Song). The album was recorded in Surround Sound and is available as a hybrid SACD.
Contents and tracklist
Spotlight on this release
Awards and reviews
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Presto Recording of the Week2nd July 2021
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Presto Recordings of the YearFinalist 2021
September 2021
[Davidsen's] breath control and even fullness of tone across a two-octave range prove radiantly equal to Sibelius’s uncompromising demands.
September 2021
Davidsen’s name pings out of the album cover but make no mistake, its real star is the Bergen Philharmonic Orchestra’s string section...Bergen’s woody, thoroughbred strings are most identifiable in ‘The Death of Mélisande’.
2nd July 2021
Davidsen has it all, and it’s wonderful to hear her in Nordic repertoire at last...The strings’ incredible palette of colours continues to be a thing to marvel at throughout the rest of the programme...All in all, this is a glorious recording which speaks of a real synergy between conductor, orchestra and repertoire, with Davidsen’s contribution the icing on the cake.
1st July 2021
Gardner’s Tapiola is less bleak and brooding than some readings, but still fabulously atmospheric, and he’s equally convincing in evoking the mysterious atmosphere of Luonnotar, in which the soloist is the current flavour-of-the-month among dramatic sopranos, Lise Davidsen.