Name: Cimarosa: Il Matrimonio Segreto
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This spirited performance captures the playfulness and affectionate tone of Cimarosa’s comedy. — Gramophone Magazine, October 2021 More…

Release Date: 28th May 2021
Catalogue No: 555295-2
Label: CPO
Length: 3 hours 17 minutes

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Cimarosa: Il matrimonio segreto

Work length3:17:03

$59.00

$76.60

Giulia Semenzato (soprano), Jesús Álvarez (tenor), Donato di Stefano (bass), Loriana Castellano (mezzo-soprano), Klara Ek (soprano), Renato Girolami (baritone)
Academia Montis Regalis, Orchester der Academia Montis Regalis
Alessandro De Marchi

Sinfonia (Live)

Track length6:22

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Cara, non dubitar (Live)

Track length6:01

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Lusinga, no, nonc'è la nostra unione (Live)

Track length2:28

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Qual' error (Live)

Track length3:19

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Eccho che qui se n'vien (Live)

Track length2:58

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Orsù, più non si tardi (Live)

Track length0:23

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Udite, tutti udite (Live)

Track length5:22

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Signora sorellina (Live)

Track length2:07

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Le faccio un inchino (Live)

Track length5:30

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Chetatevi e scusatela (Live)

Track length2:13

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E vero che in casa (Live)

Track length5:59

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Prima che arrivi il conte (Live)

Track length1:10

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Signore, ecco qua il conte (Live)

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Senza, senza cerimonie (Live)

Track length4:15

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Orsù senza far punto cerimonie (Live)

Track length1:44

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Permettetemi dunque (Live)

Track length2:31

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Sento in petto un freddo gelo (Live)

Track length9:46

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Più a lungo la scoperta (Live)

Track length1:26

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Sì, coraggio mi faccio (Live)

Track length2:40

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Signor, deh, concedete (Live)

Track length6:00

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Paolino ritarda con la risposta (Live)

Track length4:00

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Perdonate, signor mio (Live)

Track length6:25

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Io resto ancora attonito (Live)

Track length0:59

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Tu mi dici che del conte (Live)

Track length17:22

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Questa invero è curiosa (Live)

Track length2:49

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Se fiato in corpo avete (Live)

Track length8:00

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Per fare ch'Elisetta mi ricusi (Live)

Track length0:38

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Ecco che or ora scoppia (Live)

Track length3:36

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Sento, Ohimè, che mi vien male (Live)

Track length5:49

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Vanne, vanne, la séguita (Live)

Track length3:50

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Pria che spunti in ciel l'aurora (Live)

Track length7:08

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Fuggir? (Live)

Track length0:44

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Qua nulla si conclude (Live)

Track length4:29

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Son lunatico bilosa (Live)

Track length6:04

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Potea parlar quell'anima incivile (Live)

Track length1:19

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Ebben? Sei persuasa (Live)

Track length1:36

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Cosa farete? (Live)

Track length3:00

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In un ritiro? (Live)

Track length0:48

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Son risoluta io stessa di vincere (Live)

Track length1:35

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E possono mai nascere (Live)

Track length0:22

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Come tacerlo poi (Live)

Track length2:17

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Dove, dove mia cara (Live)

Track length2:39

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Colti vi abbiam (Live)

Track length0:53

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Deh, lasciate ch'io respiri (Live)

Track length7:22

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Sarete or persuasa (Live)

Track length0:30

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Se son vendicata (Live)

Track length5:17

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Vendita qua, Paolino (Live)

Track length1:48

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Il parlar di Carolina (Live)

Track length3:48

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Deh, ti conforta, o cara (Live)

Track length19:25

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About

Il matrimonio segreto is the only opera that has ever had the honor of being repeated in full at its premiere, so very much did the comical musical goings-on please its distinguished audience. On the occasion of the fortieth anniversary of the Innsbruck Early Music Festival Weeks, the conductor Alessandro De Marchi again at long last led a performance of Cimarosa’s most popular opera in historical performance practice and in original sound. The music forms a direct transition from the Baroque opera to the Bel Canto era of Rossini and in every way merits a production in which the musical and vocal practice of Cimarosa and Mozart’s times is brought back to life. Nowadays Cimarosa’s opera is always heard in greatly abbreviated versions; repetitions and parts of arias often end up being eliminated. Alessandro De Marchi: 'Though precisely these repetitions are interesting because in them the female and male singers, just as then was still the practice, are able to vary and improvise.' The orchestral sound is also more colorfully and sharply contoured when original instruments are used. For the anniversary occasion everybody was supposed to have good reason to laugh, and this opera is optimally suited toward this end. The tradition of the opera buffa, with its origins going back to the commedia dell’arte, in this work experiences a 'high point full of irresistible moments of fun, on the stage and in the music' as De Marchi puts it.

Reviews

October 2021

This spirited performance captures the playfulness and affectionate tone of Cimarosa’s comedy.

October 2022

It is an exceptionally likeable performance that captures well the exuberance of the opera while not ignoring the odd moments of more serious sentimentality...Alessandro De Marchi’s pacing of the score is exemplary, full of wit and sparkle, with recitatives moved forward with point and purpose. His Academia Montis Regalis plays with airy verve.

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