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Weber

Martin Helmchen (piano), Anna Prohaska (soprano), Konzerthausorchester Berlin, Christoph Eschenbach

Weber

Awards:

In these performances with the admirable Konzerthaus Orchestra, what emerges above all is the uniquely glowing sound of Weber’s orchestration, with its very special use of horns and winds.

Weber

Martin Helmchen (piano), Anna Prohaska (soprano), Konzerthausorchester Berlin, Christoph Eschenbach

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This release includes a digital booklet

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Awards:

In these performances with the admirable Konzerthaus Orchestra, what emerges above all is the uniquely glowing sound of Weber’s orchestration, with its very special use of horns and winds.

About

200 years ago, on May 26th 1821, today's Berlin Concert Hall was inaugurated as “Königliches Schauspielhaus”. Destroyed as “Preußisches Staatstheater” during World War II, the building, located in eastern Berlin, was rebuilt during GDR times and reopened as “Konzerthaus” in 1984. The premiere of Carl Maria von Weber's Der Freischütz on June 18th 1821 was a highlight of the opening year. The work became his most popular opera and one of the key works of the 19th century. A few days later, the composer (who died at the age of only 40 in 1826), had another piece premiered at the “Königliches Schauspielhaus”: his brilliant Concert Piece for Piano and Orchestra op.79.

This year the Konzerthausorchester Berlin, with its principal conductor Christoph Eschenbach, will be celebrating these historic events. Weber holds a special place in the life of the great German conductor and pianist, as Der Freischütz was the first opera he saw at the age of ten. Eschenbach is being joined in this program, which combines overtures, arias and the famous concert piece, by two artists who reside at the Konzerthaus Berlin and are also Alpha artists: soprano Anna Prohaska and pianist Martin Helmchen.

Contents and tracklist

Spotlight on this release

Awards and reviews

  • International Classical Music Awards
    2022
    Nominated - Assorted Programs

August 2021

In these performances with the admirable Konzerthaus Orchestra, what emerges above all is the uniquely glowing sound of Weber’s orchestration, with its very special use of horns and winds.

Nov/Dec 2021

Eschenbach conducts affectionately throughout, particularly in the Overture to Oberon, which features unusually caressing phrasing.

August 2021

Helmchen gives real substance to the Konzertstück...Eschenbach and the orchestra deserve credit, too, for they match Helmchen’s deft touch and broad colour palette.

6th June 2021

This recording, conducted and played with great spirit, is a potent reminder of the brilliance of Weber’s music.
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