Lindström & Mozart: Clarinet Concertos
Emil Jonason (clarinet), Helsingborg Symphony Orchestra, Stefan Solyom
Lindström’s concerto is colorful and attractive, and Jonason’s playing is impressive. The Mozart is well done, too, although that second-movement cadenza makes it something of a curiosity. Recommended,...
Lindström & Mozart: Clarinet Concertos
Emil Jonason (clarinet), Helsingborg Symphony Orchestra, Stefan Solyom
Purchase product
Lindström’s concerto is colorful and attractive, and Jonason’s playing is impressive. The Mozart is well done, too, although that second-movement cadenza makes it something of a curiosity. Recommended,...
About
Emil Jonason has been described in the Swedish, European and American press as "The Yngwie Malmsteen of the clarinet", "Has the aura of a Rockstar", "Raises the bar for what you can expect from a clarinet" and as "A magician who uses his instrument that breaks classical norms like a silver bullet ”. He has played as a soloist with the Swedish Radio Symphony Orchestra, the Royal Philharmonic Orchestra, the Gothenburg Symphony Orchestra, Musica Vitae, Düsseldorfer Symphoniker, Weimar Staatskapelle, Cabrillo Festival Orchestra in the USA, Symphony Orchestra Vlaanderen and many more in Sweden and abroad. In 2019, Emil won the Kaleidoscope International Vocal and Instrumental Competition in Los Angeles, USA. From over 1,600 applicants from all over the world, Emil was chosen to play Emmy Lindström's clarinet concerto “At the Hills of Hampstead Heath” at the finals, and emerged victorious. He was the only clarinetist, and Emmy's concerto was the only contemporary piece of music selected for the finals. Emil also teaches at the Royal Academy of Music in Stockholm, and at the Music and Opera Academy, at Mälardalen University in Västerås.
Contents and tracklist
- Emil Jonason
- Helsingborg Symphony Orchestra
- Stefan Solyom
- Emil Jonason
- Helsingborg Symphony Orchestra
- Stefan Solyom
- Emil Jonason
- Helsingborg Symphony Orchestra
- Stefan Solyom
Awards and reviews
September/October 2021
Lindström’s concerto is colorful and attractive, and Jonason’s playing is impressive. The Mozart is well done, too, although that second-movement cadenza makes it something of a curiosity. Recommended, primarily for the new piece.
