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Helena Munktell: Violin Sonata; Dix Mélodies; Piano Trio

Tobias Ringborg (violin), Peter Friis Johansson (piano), Sofie Asplund (soprano), Kristina Winiarski (cello)

Helena Munktell: Violin Sonata; Dix Mélodies; Piano Trio

Awards:

Ringborg, Johansson, and cellist Kristina Winiarski play Munktell’s Little Trio with the utmost spirit, precision, and richness of tone. The recorded sound has an attractive balance of concert...

Helena Munktell: Violin Sonata; Dix Mélodies; Piano Trio

Tobias Ringborg (violin), Peter Friis Johansson (piano), Sofie Asplund (soprano), Kristina Winiarski (cello)

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Awards:

Ringborg, Johansson, and cellist Kristina Winiarski play Munktell’s Little Trio with the utmost spirit, precision, and richness of tone. The recorded sound has an attractive balance of concert...

About

This is the first ever album devoted to the chamber music of Helena Munktell, one of the earliest female composers in Sweden. In 1877 she visited Paris, where two of her sisters lived, and during the next thirty-odd years the city would be a second home to her. Here she studied with composers such as Benjamin Godard and Vincent d’Indy, and became a member of Société Nationale de Musique (SNM), an organisation promoting French music and providing opportunities for young composers to have their works performed. A selection of Munktell’s songs had been performed, in Swedish, at a Society concert in 1892 and in 1900 they were heard again, but now in the French versions released the same year by the reputed musical publisher Alphonse Leduc. The Dix Mélodies are finely crafted musical scenes displaying a wide expressive range and variety of moods. Five years later another SNM concert saw the first performance of Munktell’s Violin Sonata in E flat major, by none other than the renowned Romanian violinist George Enescu. Franck’s famous A major Sonata, which Munktell knew well, served as an important source of inspiration in regards to the cyclic form and harmonic writing. The sonata soon appeared in print, now from E. Demets, another French music publisher. The third work on this disc is a small-scale piano trio, probably an early work and possibly composed for performance at one of the musical salons at the Munktell family home in Stockholm.

Contents and tracklist

I. Allegro non tanto, vigoroso
Track length8:31
II. Scherzo brusco
Track length5:05
III. Andante quasi adagio
Track length8:00
IV. Finale
Track length8:35
No. 1, Sérénade
Track length2:58
No. 2, Dans le lointain des bois
Track length2:29
No. 3, Ce qu'entendent les nuits
Track length2:12
No. 4, D'un berceau
Track length3:31
No. 5, Cantilène
Track length2:36
No. 6, Fascination
Track length2:12
No. 7, La dernière berceuse
Track length2:38
No. 8, Exil d'amour
Track length3:34
No. 9, Si tu le voulais
Track length2:08
No. 10, Fidélité
Track length2:54
I. Allegro moderato
Track length2:00
II. Andante espressivo
Track length3:03
III. Scherzo finale
Track length4:26
II. Scherzo brusco (Original Version)
Track length6:20

Awards and reviews

  • Presto Team Choices
    July 2026

September/October 2021

Ringborg, Johansson, and cellist Kristina Winiarski play Munktell’s Little Trio with the utmost spirit, precision, and richness of tone. The recorded sound has an attractive balance of concert hall resonance and detail. Helena Munktell was a composer of considerable gifts, and her music is very well served on the new BIS recording. Recommended.

March 2021

the slower, emotionally heavier songs have most impact and allow Munktell to demonstrate her propensity to mine something multilayered from something simple…Sofie Asplund’s pearly tone and innocent simplicity suit them well, as does Peter Friis Johansson’s knowing accompaniment.

January 2021

The Swedish composer (1852-1919) trained as both a singer and pianist, and it certainly shows in the ten beguiling mélodies here (the majority originally composed to Swedish texts and later translated by Munktell’s publisher, though it all sounds entirely idiomatic). The major discovery here, though, is the irresistibly exuberant Violin Sonata from 1905, premiered by George Enescu and inspired in part by Munktell’s love for the César Franck sonata.
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