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Puccini: Il Tabarro

Melody Moore (Giorgetta), Brian Jagde (Luigi), Lester Lynch (Michele), MDR Leipzig Radio Choir, Dresdner Philharmonie, Marek Janowski

Puccini: Il Tabarro
In this studio recording, the three central roles go well together, though without being strikingly individual...in their best moments both Moore and Jagde find the expansiveness to allow Puccini’s...

Puccini: Il Tabarro

Melody Moore (Giorgetta), Brian Jagde (Luigi), Lester Lynch (Michele), MDR Leipzig Radio Choir, Dresdner Philharmonie, Marek Janowski

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In this studio recording, the three central roles go well together, though without being strikingly individual...in their best moments both Moore and Jagde find the expansiveness to allow Puccini’s...

About

After their acclaimed Cavalleria rusticana recording, Marek Janowski and the Dresdner Philharmonie now present Puccini’s Il Tabarro. Puccini composed this piece as the first panel of his Trittico (1918), a novel work combining three one-act operas, and also containing Suor Angelica and Gianni Schicchi. The explosive story about illicit love and revenge on the banks of the Seine recalls the Verismo of Mascagni’s Cavalleria. Beneath the Verismo surface, however, Il Tabarro is a highly modern piece, full of Impressionist harmonies, allusions to Stravinsky and dramatically significant self-borrowings. In this recording, Janowski and the orchestra particularly showcase the symphonic quality of Puccini’s music. They are supported by an outstanding cast of soloists, including Melody Moore as Giorgetta, Brian Jagde as Luigi and Lester Lynch as Michele, as well as the MDR Leipzig Radio Choir.

Marek Janowski is one of the most celebrated conductors of our times, and enjoys a vast PENTATONE discography including a recent recording of Weber’s Der Freischütz (2019) with the MDR Leipzig Radio Choir. This is the second PENTATONE release of the Dresdner Philharmonie with Janowski, after Cavalleria rusticana (2020), which also featured the same three main soloists. Melody Moore and Lester Lynch both have participated in several PENTATONE recordings, including Verdi’s Otello (2017).

Contents and tracklist

Introduzione
Track length2:02
O Michele?
Track length2:07
Si soffoca, padrona!
Track length2:11
Ballo con la padrona!
Track length1:35
Perché?
Track length3:21
Conta ad ore le giornate
Track length3:56
To’! Guarda la mia vecchia!
Track length1:21
Hai ben raggione. Meglio non pensare
Track length2:22
Segui il mio esempio
Track length2:32
Belleville è il suolo e il nostro mondo!
Track length2:29
Adesso ti capisco
Track length2:22
O Luigi! Luigi!
Track length1:30
Come? Non sei andato?
Track length1:13
Dimmi. Perché gli hai chiesto di sbarcarti a Rouen?
Track length4:36
Perché non vai a letto?
Track length7:26
Bocca di rosa fresca
Track length1:10
Nulla! Silenzio!
Track length3:12
Intermezzo
Track length0:38
T’ho colto!
Track length1:28
Avevo ben ragione
Track length1:59

Awards and reviews

February 2021

In this studio recording, the three central roles go well together, though without being strikingly individual...in their best moments both Moore and Jagde find the expansiveness to allow Puccini’s phrases to lift into the air...The Leipzig choir and Dresden orchestra make strong contributions, yet while the ebb and f low in tension of a score full of musical and emotional ambiguity are carefully conveyed by conductor Marek Janowski, the result ultimately feels somewhat contained.

December 2020

The American principals harness plenty of decibels. Brian Jagde has developed into quite a stentorian tenor, here as the roughhanded stevedore Luigi, and has the most Italianate tone of the three. Melody Moore sings a rich-voiced Giorgetta, successfully avoiding any hint of squalliness at the top.
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