Special offer. Vivaldi: Luce e Ombra
Ensemble Mirabilia, Myriam Leblanc, Antoine Malette-Chénier
The use of Antoine MaletteChénier’s baroque triple harp in lieu of keyboard continuo in these rearrangements is evidently fundamental to the group’s raison d’être…Notwithstanding a few mildly...
Special offer. Vivaldi: Luce e Ombra
Ensemble Mirabilia, Myriam Leblanc, Antoine Malette-Chénier
Purchase product
The use of Antoine MaletteChénier’s baroque triple harp in lieu of keyboard continuo in these rearrangements is evidently fundamental to the group’s raison d’être…Notwithstanding a few mildly...
About
For her marvelous new album, Luce e Ombra, soprano Myriam Leblanc assembled a collection of her favourite works by the Venetian composer Antonio Vivaldi. She chose opera excerpts, a chamber cantata, along with instrumental pieces transcribed or adapted for the Ensemble Mirabilia, consisting of Antoine Malette-Chénier on the baroque triple harp, Marie-Michel Beauparlant on the cello and Grégoire Jeay on the flute. The vocal performance, the arias’ nuances and the intimate relationship with the highly capable ensemble make for an accomplished and convincing album.
Contents and tracklist
- Ensemble Mirabilia, Myriam Leblanc
- Ensemble Mirabilia, Myriam Leblanc
- Antoine Malette-Chénier
- Ensemble Mirabilia, Myriam Leblanc
- Ensemble Mirabilia, Myriam Leblanc
- Ensemble Mirabilia
- Ensemble Mirabilia, Myriam Leblanc
- Ensemble Mirabilia, Myriam Leblanc
- Ensemble Mirabilia
- Ensemble Mirabilia, Myriam Leblanc
Awards and reviews
March 2021
The use of Antoine MaletteChénier’s baroque triple harp in lieu of keyboard continuo in these rearrangements is evidently fundamental to the group’s raison d’être…Notwithstanding a few mildly anaemic moments in her upper range, Leblanc’s graceful melodicism in the cantata All’ombra di sospetto (RV678) is matched by Ensemble Mirabilia’s deftness of touch.
