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Offenbach: Maitre Peronilla

Chantal Santon-Jeffery, Antoinette Dennefeld, Tassis Christoyannis, Véronique Gens, Éric Huchet, Loïc Félix, Matthieu Lécroart, Anaïs Constans, Patrick Kabongo, François Piolino, Yoann Dubruque, Raphaël Brémard, Jérôme Boutillier, Antoine Philippot, Philippe-Nicolas Martin, Diana Axentii

Chœur...

Offenbach: Maitre Peronilla

Awards:

Offenbach deftly plays to the 19th-century French passion for all things Iberian with Spanish accents in the orchestration…A strong cast includes Véronique Gens as the wicked sister Leona who...

Offenbach: Maitre Peronilla

Chantal Santon-Jeffery, Antoinette Dennefeld, Tassis Christoyannis, Véronique Gens, Éric Huchet, Loïc Félix, Matthieu Lécroart, Anaïs Constans, Patrick Kabongo, François Piolino, Yoann Dubruque, Raphaël Brémard, Jérôme Boutillier, Antoine Philippot, Philippe-Nicolas Martin, Diana Axentii

Chœur...

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Awards:

Offenbach deftly plays to the 19th-century French passion for all things Iberian with Spanish accents in the orchestration…A strong cast includes Véronique Gens as the wicked sister Leona who...

About

There is more Spain in Offenbach’s brain than in Spain itself’, said a journalist entranced by Maître Péronilla. Understandably so, given the charm and humour of this operetta in which no fewer than twenty-two characters are kept busy unravelling a preposterously complicated love story. And the libretto is all the better for having been penned by the composer himself.

Castanets, tambourines and triangle merrily punctuate one of Offenbach’s last scores, which multiplies impressive vocal ensembles while not renouncing intimate numbers of great poetry. Our world premiere recording features specialists of this repertory such as Éric Huchet and Loïc Félix, but also opera singers more unexpected in this context – including Véronique Gens – who audibly delight in letting their hair down in such joyful company, ably supported by the talents of the Orchestre National de France and the Choeur de Radio France.

Artists

Chantal Santon-Jeffery, Antoinette Dennefeld, Tassis Christoyannis, Véronique Gens, Éric Huchet, Loïc Félix, Matthieu Lécroart, Anaïs Constans, Patrick Kabongo, François Piolino, Yoann Dubruque, Raphaël Brémard, Jérôme Boutillier, Antoine Philippot, Philippe-Nicolas Martin, Diana Axentii

Chœur de Radio France, Orchestre National de France, Markus Poschner

Contents and tracklist

Ouverture
Track length6:14
Choeur. "Roulez, sonnez et faites rage"
Track length1:10
Sérénade. "Hélas, ma petite cousine"
Track length2:27
Dialogue et sortie. "Veux-tu te taire"
Track length0:36
Dialogue. "Ah ! Mon petit Frimouskino !"
Track length1:03
Couplets et Duetto. "En la comblant de gâteries"
Track length3:45
Dialogue. "Attention ! Voici l'oncle Péronilla !"
Track length0:37
Couplets du chocolat. "Oui, je le dis, et m'en fais gloire"
Track length2:08
Dialogue. "Exiger la signature !"
Track length1:17
Ballade de la belle Espagnole. "Il était un joli jeune homme"
Track length2:04
Dialogue. "Tiens ! Mais, je ne la connaissais pas"
Track length0:55
Entrée, Couplets et Dialogue. "Manoëla !"
Track length2:25
Choeur." Amis et parents"
Track length1:08
Dialogue. "Mesdames et messieurs"
Track length1:03
Présentation des frères Vélasquez. "Vélasquez major !"
Track length0:52
Dialogue. "Monsieur le notaire !"
Track length1:56
Choeur de sortie."Amis et parents"
Track length0:22
Dialogue. "Au revoir, mon cher Guardona !"
Track length2:09
Mélodrame. "Dix heures !"
Track length0:28
Romance et Dialogue. "Quand j'ai dû, la mort dans l'âme"
Track length2:12
Terzetto. "Quelle est donc cette joie ?"
Track length2:59
Dialogue et Mélodrame. "Tu vas me dire enfin..."
Track length0:54
Choeur, Mélodrame et Dialogue. "La cloche sonne"
Track length1:57
Choeur et Dialogue. "Buvons à plein bord"
Track length1:44
Finale. "Ah ! Ah ! Ah ! Ah !"
Track length1:25
Entracte
Track length2:03
Mélodrame et Couplets des Petits Valets. "Tiens ! Déjà minuit !"
Track length3:09
Dialogue et Reprise du choeur. "Caramba ! Je vous y prends"
Track length2:32
Rondeau. "Je pars, je vais, je vole"
Track length3:20
Dialogue. "Tiens, tiens..."
Track length2:21
Ensemble du souper. "Je rage, soupons tout de même"
Track length1:36
La Malaguenia. "D'où viens-tu, chanson nouvelle ?"
Track length3:04
Dialogue. "Je n'y tiens plus"
Track length0:30
Ensemble. "Il se fait tard"
Track length2:03
Dialogue. "Eh ! Bien, messieurs mes gendres ?"
Track length2:33
Quatuor. "Sortez avec précaution"
Track length3:17
Dialogue. "C'est ma soeur qui va rager !"
Track length0:40
Chœur des Alguazils et Mélodrame. "Ouvrez, au nom de la loi !"
Track length1:55
Couplets de Manoëla. "Petit papa, protégez-moi"
Track length1:27
Finale. "Allons, allons, il faut partir !"
Track length4:08
Entracte
Track length1:24
Chœur. "De l'audience enfin voici le jour !"
Track length1:46
Chanson militaire. "Toujours fidèle à la consigne"
Track length2:19
Dialogue. "Eh bien ! Voilà le grand jour ! Le jour du procès !"
Track length0:16
Romance et Dialogue. "Assurément j'ai confiance"
Track length2:54
Choeur. "Marchons au pas"
Track length0:47
Dialogue. "Voici le tribunal !"
Track length2:27
Couplets du Maître à chanter. "On nous sépare, on nous accable"
Track length2:10
Dialogue. "C'est... ca... ca... captivant !"
Track length3:56
Finale. "Le contrat !"
Track length3:43

Spotlight on this release

Awards and reviews

  • Presto Editor's Choice
    February 2020
  • BBC Music Magazine
    May 2020
    Opera Choice

May 2020

Offenbach deftly plays to the 19th-century French passion for all things Iberian with Spanish accents in the orchestration…A strong cast includes Véronique Gens as the wicked sister Leona who sings a splendidly fruity version of her ‘Ballade de la belle Espagnole’…Markus Poschner conducting the Orchestre National de France and the French Radio Choir encourages the bubbles to rise to the surface in a never-ending stream.

February 2020

Bursting with cod-Spanish colour (the castanet-player certainly earns their keep), infectious melodies and sparkling ensembles, this 1878 opéra bouffe about a chocolate-maker’s attempts to arrange a lucrative marriage for his daughter has an appropriately sweet centre, with Chantal Santon-Jeffery bringing real pathos to the trouser-role of Alvarès and newcomer Anaïs Constans making a strong impression as the heroine Manoëla.

1st March 2020

Written in 1878, this is vintage Offenbach with a Spanish accent, sung delightfully by stylists such as Véronique Gens, Eric Huchet, Antoinette Dennefeld and Anaïs Constans. Markus Poschner conducts with vivacious Hispanic elan.
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