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Kurt Weill: Street Scene
Patricia Racette (Anna Maurrant), Paulo Szot (Frank Maurrant), Mary Bevan (Rose Maurrant), Jeni Bern (Greta Fiorentino), Lucy Schaufer (Emma Jones), Joel Prieto (Sam Kaplan), Michael J. Scott (Lippo Fiorentino), Tyler Clarke (Daniel Buchanan), Marta Fontanals-Simmons (Jennie Hildebrand), Eric Greene...
Awards:
-
International Opera Awards, 2020, Nomianted - Complete Opera Recording
An excellent cast and illuminating production make the strongest case possible for Weill’s powerful score.
Kurt Weill: Street Scene
Patricia Racette (Anna Maurrant), Paulo Szot (Frank Maurrant), Mary Bevan (Rose Maurrant), Jeni Bern (Greta Fiorentino), Lucy Schaufer (Emma Jones), Joel Prieto (Sam Kaplan), Michael J. Scott (Lippo Fiorentino), Tyler Clarke (Daniel Buchanan), Marta Fontanals-Simmons (Jennie Hildebrand), Eric Greene...
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Awards:
-
International Opera Awards, 2020, Nomianted - Complete Opera Recording
An excellent cast and illuminating production make the strongest case possible for Weill’s powerful score.
About
Set and Costume Design: Dick Bird
Lighting Design: James Farncombe
Choreography: Arthur Pita
Kurt Weill wrote Street Scene shortly after fleeing Nazi Germany to the United States. When he discovered the vitality of the American musical scene, his focus became to reconcile the Broadway musical with European traditional opera, jazzy and North-American tunes with an almost Puccinian-like lyricism. In his mind, opera had to embrace and reclaim its own theatricality: thus he wrote his Street Scene, meant to be a truly American opera, half-way between his Brechtian Threepennys Opera and Bernsteins later West Side Story and drawing from the famous play by Elmer Rice (recipient of the Pulitzer Price when it was published in 1928). Under Tim Murrays vivid and precise baton, this superb production by John Fulljames perfectly renders the vitality and energy released by the streets of New York that proved to be a great inspiration to the theatrical mind of the composer.
HD recording: Teatro Real, Madrid | 02/2018
TV direction: Jérémie Cuvillier
Running time: 160 min.
Booklet: FR / ENG / SPA
Original language: ENG
Subtitles: FR / ENG / GER / SPA / JP / KOR
Video: Colour, 16/9, NTSC
Audio: PCM 2.0, Dolby Digital 5.1
Artists
Patricia Racette (Anna Maurrant), Paulo Szot (Frank Maurrant), Mary Bevan (Rose Maurrant), Jeni Bern (Greta Fiorentino), Lucy Schaufer (Emma Jones), Joel Prieto (Sam Kaplan), Michael J. Scott (Lippo Fiorentino), Tyler Clarke (Daniel Buchanan), Marta Fontanals-Simmons (Jennie Hildebrand), Eric Greene (Henry Davis), Richard Burkhard (Harry Easter), Sarah-Marie Maxwell (Mae Jones) & Dominic Lamb (Dick McGann), Pequenos y Jovenes Cantores de la JORCAM & Orchestra and Chorus of Teatro Real de Madrid, Tim Murray (conductor) & John Fulljames (stage direction)
Contents and tracklist
- Patricia Racette (Anna Maurrant), Paulo Szot (Frank Maurrant), Mary Bevan (Rose Maurrant), Jeni Bern (Greta Fiorentino), Lucy Schaufer (Emma Jones), Joel Prieto (Sam Kaplan), Michael J. Scott (Lippo Fiorentino), Tyler Clarke (Daniel Buchanan), Marta Fontanals-Simmons (Jennie Hildebrand), Eric Greene (Henry Davis), Richard Burkhard (Harry Easter), Sarah-Marie Maxwell (Mae Jones) & Dominic Lamb (Dick McGann)
- Pequenos y Jovenes Cantores de la JORCAM & Orchestra and Chorus of Teatro Real de Madrid
- Tim Murray (conductor) & John Fulljames (stage direction)
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Awards and reviews
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International Opera Awards2020Nomianted - Complete Opera Recording
April 2020
An excellent cast and illuminating production make the strongest case possible for Weill’s powerful score.
February 2020
New York’s stifling heat, poverty and flyblown claustrophobia are strongly conveyed by Dick Bird’s design…Racette gives Anna the works, and though her powerful lyric soprano may spread a little more than it once did, the massive concentration of her performance holds everything together… The plethora of accents among the ensemble players nicely emphasizes the ‘melting pot’ aspect of communal life, aided by JORCAM’s bright-eyed child performers and clean-cut interventions from the Teatro Real chorus.
Opera Now February 2020
[Director John Fulljames] He pulls out all of the strands and highlights each character, but places them against the larger scale of the neighborhood, and the cast acts, sings and dances its collective socks off. Patricia Racette and Paulo Szot are intense as the warring Maurrants: daughter Mary Bevan shows mettle and has some melting duets with her suitor, the romantic Joel Prieto. But ultimately it is an ensemble piece and there isn’t a weak link here. Tim Murray’s conducting helps pull it all together, ranging from torch song to jitterbug to chorus.