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Special offer. Routes du café

Ensemble Masques, Olivier Fortin

The playing of Ensemble Masques is suitably lip-smacking, Anna Besson’s flute nicely in the foreground sharing the limelight with Hana Blažíková’s pert soprano in Bernier’s frothy cantata...The...

Special offer. Routes du café

Ensemble Masques, Olivier Fortin

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This release includes a digital booklet

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The playing of Ensemble Masques is suitably lip-smacking, Anna Besson’s flute nicely in the foreground sharing the limelight with Hana Blažíková’s pert soprano in Bernier’s frothy cantata...The...

About

The history of coffee is fascinating! From the opening of the first establishments in Constantinople in the middle of the sixteenth century to the appearance and diffusion of the drink in Europe in the following century, coffee and coffee houses were highly fashionable. Two composers devoted a cantata to the topic. Gottfried Zimmermann opened his famous coffee house in Leipzig in 1715 and organised concerts there. Around 1735, Bach composed his famous cantata Schweigt still, plaudert nicht , which was probably performed there. It depicts the humorous dispute between a father and his daughter over her consumption of coffee. In Paris, Nicolas Bernier’s cantata Le Caffé (1664-1734) praised the beverage and its many virtues. The ‘Coffee Road’ Olivier Fortin has mapped out here makes a detour to London around 1660, where the composer Matthew Locke frequented the Turk’s Head Coffee House and promoted a string fantasia.

Fortin has chosen to organise this album like a fasil, a ‘suite of pieces’ in traditional Ottoman music, with taqsims (improvisations) interspersed among the compositions and played on such instruments as the ney flute, the Arab violin and the yayli tanbur.

Contents and tracklist

I. Prélude
Track length1:30
II. Récitatif
Track length0:42
III. Air
Track length4:55
IV. Récitatif
Track length0:55
V. Air gay
Track length4:23
VI. Récitatif
Track length0:29
VII. Air gay
Track length5:07
I. Recitative
Track length0:39
II. Aria
Track length2:56
III. Recitative
Track length0:38
IV. Aria
Track length4:22
V. Recitative
Track length1:08
VI. Aria
Track length3:05
VII. Recitative
Track length0:47
VIII. Aria
Track length6:46
IX. Recitative
Track length0:47
X. Choral
Track length4:30

Awards and reviews

November 2019

The playing of Ensemble Masques is suitably lip-smacking, Anna Besson’s flute nicely in the foreground sharing the limelight with Hana Blažíková’s pert soprano in Bernier’s frothy cantata...The Turkish numbers percolate vivid oriental colour...Imaginatively programmed, beautifully played and recorded, this is disc is as delightful as a cup of the black gold itself.
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