Help
Skip to main content

US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details

Special offer. Schubert: Winterreise

Ian Bostridge (tenor), Thomas Adès (piano)

Schubert: Winterreise

Awards:

Even Bostridge’s sometimes jarring crescendos sound as bleak cries from the hollowed soul. There is a terrifying icy detachment in Adès’s evocative touch. Above it, Bostridge’s weary wanderer...

Special offer. Schubert: Winterreise

Ian Bostridge (tenor), Thomas Adès (piano)

Purchase product

CD

$19.75

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Download

From Original price $10.00 Reduced price $6.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($15.50) Reduced price $9.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.25) Reduced price $7.50

320 kbps, MP3

Original price ($10.00) Reduced price $6.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Even Bostridge’s sometimes jarring crescendos sound as bleak cries from the hollowed soul. There is a terrifying icy detachment in Adès’s evocative touch. Above it, Bostridge’s weary wanderer...

About

Renowned Schubert interpreter Ian Bostridge revisits Winterreise, the greatest of all song cycles, on his first PENTATONE album. Bostridge presents this masterpiece together with pianist, conductor and composer Thomas Adès, who bases his profound accompaniment on a fresh engagement with the original manuscripts. Winterreise is the epitome of Romantic melancholia, written by a composer aware of his fatal illness but at the height of his creative powers. It is the first instalment of a trilogy of PENTATONE recordings comprising the major Schubert song cycles. After Winterreise, Die schöne Müllerin and Schwanengesang will follow.

Ian Bostridge is one of the most celebrated tenors and lied interpreters of his generation. Thomas Adès is best known as a composer but demonstrates his extraordinary skills as a song accompanist on his first PENTATONE recording.

Contents and tracklist

No. 1, Gute Nacht (Live)
Track length5:36
No. 2, Die Wetterfahne (Live)
Track length1:37
No. 3, Gefrorne Tränen (Live)
Track length2:17
No. 4, Erstarrung (Live)
Track length2:57
No. 5, Der Lindenbaum (Live)
Track length4:42
No. 6, Wasserflut (Live)
Track length3:41
No. 7, Auf dem Flusse (Live)
Track length3:26
No. 8, Rückblick (Live)
Track length1:52
No. 9, Irrlicht (Live)
Track length2:35
No. 10, Rast (Live)
Track length3:02
No. 11, Frühlingstraum (Live)
Track length4:27
No. 12, Einsamkeit (Live)
Track length2:39
No. 13, Die Post (Live)
Track length1:55
No. 14, Der greise Kopf (Live)
Track length2:52
No. 15, Die Krähe (Live)
Track length3:36
No. 16, Letzte Hoffnung (Live)
Track length1:59
No. 17, Im Dorfe (Live)
Track length3:43
No. 18, Der stürmische Morgen (Live)
Track length0:50
No. 19, Täuschung (Live)
Track length1:16
No. 20, Der Wegweiser (Live)
Track length4:37
No. 21, Das Wirtshaus (Live)
Track length4:45
No. 22, Mut (Live)
Track length1:18
No. 23, Die Nebensonnen (Live)
Track length2:35
No. 24, Der Leiermann (Live)
Track length3:55

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    23rd August 2019
  • BBC Music Magazine
    December 2019
    Choral & Song Choice
  • Limelight Magazine Recordings of the Year
    2019
    Nominated - Vocal
  • International Classical Music Awards
    2020
    Winner - Vocal
  • Opus Klassik Awards
    2020
    Nominee - Male Singer of the Year 

December 2019

Even Bostridge’s sometimes jarring crescendos sound as bleak cries from the hollowed soul. There is a terrifying icy detachment in Adès’s evocative touch. Above it, Bostridge’s weary wanderer cries out against an unlistening world – for why should it listen, the poet seems to ask. In this devastating, brilliant interpretation, Bostridge’s tone is dark, expressive and fluid.

January/February 2020

The fact that the singer is 55 hasn’t erased the juvenile timbre of the voice entirely. The hero of this Winterreise sounds boyish in high-lying passages and considerably older in lower ones—we’re almost dealing with two voices. Some sustained notes tend to wobble now. To the singer’s credit, however, he doesn’t try to compensate by pulling back. This new interpretation is as intense as ever, no matter if you find such intensity more irritating than gratifying.

Awards Issue 2019

The tenor’s imagination and interpretative skill is made evident at almost every turn…But Bostridge’s reluctance – or inability – to leave a phrase uncoloured, to leave words unpointed, here feels like an inevitable part of a compelling whole…It might arguably be as much Bostridge’s Winter Journey as Schubert’s, yes, but I’m not sure there are many recordings of this ever-astonishing work that are more compelling.

23rd August 2019

What fresh insights has Bostridge uncovered in the intervening years? Short answer: plenty. One of the remarkable things about this new reading is just how much of the extensive scholarly work which both he and Adès have undertaken translates readily into sound...the balance between pointing up the work’s strange modernity and engaging with its historical context is immaculately judged, and much of the beauty of the interpretation stems from the contrast between the two.

30th August 2019

If any audience is present here, they leave no audible sign. Maybe listeners were immobilised by wonder, struck dumb by the impact and wide range of Bostridge’s voice — beautiful, ugly, anguished, tender, robust, bleached...Right from the footstep tread launching the first song, Adès’s piano accompaniment never falters in its imaginative response to imagery and emotional mood...superb artistry brings its own joys.
View download progress