Carmina Burana | A Medieval Collection - Eloquence: ELQ4827315 - 4 CDs or download

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Release Date: 14th Jun 2019
Catalogue No: ELQ4827315
Label: Eloquence
Length: 4 hours 14 minutes

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anon.: Carmina Burana

Work length1:08:50

$15.40

$21.00

William Lyons (recorder), Catherine Latham (recorder), Stephen Jones (rebec), Stephen Henderson (tabor), Tom Finucane (lute), Tom Finucane (gittern), Stephen Henderson (percussion), Stephen Henderson (bells), Frances Kelly (strings), Philip Pickett (hurdy gurdy), Philip Pickett (recorder), Stephen Henderson (tambourine), Pavlo Beznosiuk (rebec), Clifton Prior (tabor), David Tosh (dulcimer), Pavlo Beznosiuk (vielle), Paula Chateauneuf (gittern), Stephen Jones (vielle), Frances Kelly (harp), Catherine Bott (soprano), Andrew King (tenor), Tessa Bonner (soprano), Sally Dunkley (soprano), Simon Grant (bass (vocal)), Allan Parkes (baritone), Michael George (baritone), Andrew Lawrence-King (harp)
New London Consort
Philip Pickett
Recorded: 1986-01-14
Recording Venue: Henry Wood Hall, London

In Gedeonis area

Track length4:27

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Homo, que vigeas vide

Track length3:43

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Ecce torpet probitas

Track length7:15

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Nomen a solemnibus

Track length4:35

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Planctus ante nescia

Track length10:43

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Michi confer venditor

Track length2:48

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Olim sudor Hercules

Track length9:35

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Procurans odium

Track length1:54

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Dulce solum

Track length5:27

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Axe Phebus aureo

Track length3:22

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Alte clamat Epicurus

Track length6:05

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Exiit diluculo

Track length1:55

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Hiemali tempore

Track length3:47

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Tempus est iocundum

Track length3:14

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anon.: Carmina Burana

Work length3:05:59

$37.40

$51.00

Michael George (baritone), Catherine Bott (soprano), Andrew King (tenor), Tom Finucane (gittern), Simon Grant (bass (vocal)), Philip Pickett (hurdy gurdy), Philip Pickett (director), Pavlo Beznosiuk (vielle), David Roblou (organ), Stephen Henderson (bells), Andrew Lawrence-King (harp), Stephen Charlesworth (baritone), Tessa Bonner (soprano)
New London Consort
Philip Pickett
Recorded: 1987-01
Recording Venue: Temple Church, London

1. Katerine collaudemus

Track length4:11

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2. Virent prata hiemata

Track length7:06

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3. Veris dulcis in tempore

Track length4:49

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4. Curritur ad vocem

Track length4:29

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5. Dic, Christi veritas

Track length5:24

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6. Bulla fulminate

Track length5:25

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7. Ave nobilis

Track length4:36

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8. Veritas veritatem

Track length12:17

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9. O varium Fortune lubricum

Track length5:11

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10. Ich was ein chint so wolgetan

Track length3:22

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11. Sic mea fata

Track length2:35

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12. In taberna quando sumus

Track length3:01

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1. Clauso chronos

Track length5:43

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2. Presens dies

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3. Licet eger cum egrotis

Track length6:46

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4. Crucifigat omnes

Track length4:05

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5. Ad cor tuum revertere

Track length5:49

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6. O curas hominum

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7. Fas et nefas ambulant

Track length2:29

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8. Flete, fideles anime

Track length11:16

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9. Tempus transit gelidum

Track length5:22

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10. A globo veteri

Track length6:26

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11. Bacche bene venies

Track length5:21

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12. Deduc, Sion, uberrimas

Track length4:22

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13. Non te lusisse pudeat

Track length7:17

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14. "Aristippe, quamvis sero"

Track length6:49

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15. Pange lingua

Track length3:30

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16. Bonum est confidere

Track length9:34

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17. Nulli beneficium

Track length4:42

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18. Celum, non animum

Track length4:38

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19. Vacillantis trutine

Track length6:51

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20. Vite perdite

Track length4:19

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21. Hebet sidus

Track length6:02

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22. Iove cum Mercurio

Track length3:03

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About
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About

The first volume of Carmina Burana was only the second recording made by the New London Consort and its founder-director Philip Pickett, but the album was quickly recognised as a signal event in the wider dissemination of medieval music. Critics praised the fidelity to the spirit as well as the text of Carmina Burana; the eloquent and often witty text-centred singing of Catherine Bott, Michael George and others; and the imaginative use of a full medieval instrumentarium.

After the success of Volume 1, recorded early in 1986, L’Oiseau-Lyre recorded three further albums a year later, and they became the basis for the wider international reputation of the New London Consort. Since being issued as a set in 1996, Pickett’s Carmina Burana has long been unavailable: a significant lacuna in early-music recordings which this issue corrects.

‘Pickett and the New London Consort’s scholarly and sensitive approach to both music and text in Carmina Burana (c.1300) confirms this issue’s place in the catalogue … These atmospheric performances, which boast excellent singing from soloists Bott and George, and ideal balance between voices and instruments, are further enhanced by warm, sympathetic recordings.’ BBC Music Magazine, January 2012

‘Highly committed, well prepared performances. Special, even exaggerated care has been taken with the expression of the words… It is vividly coloured, and certainly more entertaining than the blurred grey of scholarly caution’ Early Music magazine, February 1988 (Vol. 1)

Carmina Burana | A Medieval Collection

4 CDs

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