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Sol y Vida

Elīna Garanča (mezzo-soprano)

Orquesta Filarmónica De Gran Canaria, Karel Mark Chichon

Sol y Vida

Awards:

Everything here (not least the filmic arrangements) is overheated in the best sense…Her sheer joy in choosing and singing this repertoire is tangible. A holiday romance it may be, but enjoy...

Sol y Vida

Elīna Garanča (mezzo-soprano)

Orquesta Filarmónica De Gran Canaria, Karel Mark Chichon

Purchase product

96 kHz, 24 bit, FLAC/ALAC/WAV

$14.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$8.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Everything here (not least the filmic arrangements) is overheated in the best sense…Her sheer joy in choosing and singing this repertoire is tangible. A holiday romance it may be, but enjoy...

About

Sol y vida is Elīna Garanča’sjourney to the South, from Spain to Italy and Latin America, and is her first album focusing entirely on non core-classical repertoire.

Be ready to expect a personal album from the mezzo-soprano, whose centre of life has been Spain for many years. A selection of songs, canzone and tango pieces, both mirroring and spreading a flamboyantly emotional array of beaming happiness, passionate longing and exuberant joy. A feast of vocal colours, and a firework of passion, from the well-known Granada to the intimate world of La Llorona.

Featuring jewels of Latin American song repertoire like Piazolla’s Yo soy Maria, originally part of a tango operita and Gracias a la vida, one of the most covered Latin American songs in history both featuring guitarist Jose Maria Gallardo del Rey in new intimate arrangements. Many of the popular pieces have mainly been sung by tenors, like “Core ‘ngrato”, which was probably written for Caruso or the popular Neapolitan songs “Torna a surriento” or “Canto napoletano”.

Contents and tracklist

Yo soy María (Arr. del Rey)
Track length3:18
No puede ser
Track length2:56

Awards and reviews

  • Opus Klassik Awards
    2020
    Winner - Female Singer of the Year 
  • Opus Klassik Awards
    2020
    Nominee - Conductor of the Year

July 2019

Everything here (not least the filmic arrangements) is overheated in the best sense…Her sheer joy in choosing and singing this repertoire is tangible. A holiday romance it may be, but enjoy it while it lasts.
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