Handel/Leo: Rinaldo
Teresa Iervolino (Rinaldo), Carmela Remigio (Armida), Loriana Castellano (Almirena), Francisco Fernández-Rueda (Goffredo), Francesca Ascioti (Argante), Ana Victória Pitts (A Christian Magician), Dara Savinova (Eustazio)
Ensemble La Scintilla, Fabio Luisi (conductor)
Sangati’s staging, mixing (vaguely) 18th-century costumes, Venice carnival masks and modernist camp, is unpretentious and uncluttered. The substitute arias, often short-breathed, cannot rival...
Handel/Leo: Rinaldo
Teresa Iervolino (Rinaldo), Carmela Remigio (Armida), Loriana Castellano (Almirena), Francisco Fernández-Rueda (Goffredo), Francesca Ascioti (Argante), Ana Victória Pitts (A Christian Magician), Dara Savinova (Eustazio)
Ensemble La Scintilla, Fabio Luisi (conductor)
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Sangati’s staging, mixing (vaguely) 18th-century costumes, Venice carnival masks and modernist camp, is unpretentious and uncluttered. The substitute arias, often short-breathed, cannot rival...
About
Presented by the Festival della Valle d’Itria, this is the first modern-day staging of Leonardo Leo’s Neapolitan revision of Handel’s Rinaldo, a pastiche with a Mediterranean allure, which was composed in 1718 but considered lost until a few years ago. The story behind this rare opera is fascinating: the score of Handel’s masterpiece was brought illegally to Naples by the castrato singer Nicolò Grimaldi, who had performed Rinaldo in London. Once in Italy, the work was given a makeover by local composers, including Leo, who adapted it to the taste of the Neapolitan public, adding intermezzos and amusing characters. Director Giorgio Sangati has transformed Leo’s revision into a ‘ba-rock’ opera set in the 1980s, where the struggle between Christians and Turks is re-imagined as a battle between pop-rock singers (the Christians) and heavy-metal performers (the Turks). The two factions represent opposite perspectives on life and love. Conductor Fabio Luisi leads the Ensemble La Scintilla, a group of specialists in Baroque repertoire.
Contents and tracklist
- Eliana Cantore (narrator)
- Francisco Fernández-Rueda (tenor), Teresa Iervolino (mezzo-soprano), Loriana Castellano (contralto), Dara Savinova (mezzo-soprano), Dielli Hoxha (bass-baritone), Francesca Ascioti (alto), Carmela Remigio (soprano), Valentina Cardinali (soprano), Simone Tangolo (tenor)
- Orchestra La Scintilla
- Fabio Luisi
- Recorded: 07 July - 02 August 2018
- Recording Venue: 44th Festival della Valle d'itria Martina Franca, Italy
- Recorded: 07 July - 02 August 2018
- Recording Venue: 44th Festival della Valle d'itria Martina Franca, Italy
- Kim-Lillian Strebel (soprano)
- Recorded: 07 July - 02 August 2018
- Recording Venue: 44th Festival della Valle d'itria Martina Franca, Italy
- Ana Victória Pitts (mezzo-soprano)
- Recorded: 07 July - 02 August 2018
- Recording Venue: 44th Festival della Valle d'itria Martina Franca, Italy
Awards and reviews
June 2019
Sangati’s staging, mixing (vaguely) 18th-century costumes, Venice carnival masks and modernist camp, is unpretentious and uncluttered. The substitute arias, often short-breathed, cannot rival Handel’s energy and melodic breadth, and a few outstay their welcome. But they are effective enough… Luisi judges tempo and character well and gets spruce playing from his band…. Just don’t expect more than a smattering of Handel.
September 2019
Hardline Handelians will probably dismiss Leo’s adaptation as a travesty…Nevertheless, those fascinated by 18th-century operatic convention and history will find much here to intrigue them.