Donizetti: La Favorite
Veronica Simeoni (Leonor), Celso Albelo (Fernand) & Mattia Olivieri (Alphonse)
Valdes’s direction is pretty static, betraying a lack of experience staging opera, but there are some reliable vocal performances to enjoy. Mezzo Veronica Simeoni copes well with her key aria...
Donizetti: La Favorite
Veronica Simeoni (Leonor), Celso Albelo (Fernand) & Mattia Olivieri (Alphonse)
Purchase product
Valdes’s direction is pretty static, betraying a lack of experience staging opera, but there are some reliable vocal performances to enjoy. Mezzo Veronica Simeoni copes well with her key aria...
About
Gaetano Donizetti's La Favorite was rather laborious in the making: it started out as a re-working of L'Ange de Nisida, to which the composer added parts taken from some of his other operas. Premiered at the Paris Opera, the work is set in 14th-century Castile and tells the story of the hapless love between Fernand, who has second thoughts about taking holy orders and leaves the monastery of Santiago de Compostela, and Léonor, the mistress of King Alphonse XI. It's an intimate drama, where history and politics are but the backdrop to the protagonists' passions and torments. Fabio Luisi's conducting is both measured in balancing the orchestral sounds, personal, varied and vigorous. The orchestral sound is crystalclear, with its perfectly judged accompaniment to the voices neatly delivered. Veronica Simeoni (Leonor), Celso Albelo (Fernand) and Mattia Olivieri (Alphonse) give excellent vocal and acting performances.
Contents and tracklist
- Veronica Simeoni (Leonor), Celso Albelo (Fernand) & Mattia Olivieri (Alphonse)
- Maggio Musicale Fiorentino
- Fabio Luisi, Ariel García Valdés
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Awards and reviews
October 2018
Valdes’s direction is pretty static, betraying a lack of experience staging opera, but there are some reliable vocal performances to enjoy. Mezzo Veronica Simeoni copes well with her key aria and Celso Albelo has a lovely, pliant tone as Fernand…The Maggio Musicale’s new music director, Fabio Luisi, gives a lucid account of Donizetti’s lyrical score.