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Holst: The Planets

Royal Philharmonic Orchestra, Mike Batt

Holst: The Planets
Mike Batt triumphs in delivering a performance of considerable insight and stature. The approach is fresh and spontaneous, but never overrides the deeper meaning in the work. The sound quality...

Holst: The Planets

Royal Philharmonic Orchestra, Mike Batt

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Mike Batt triumphs in delivering a performance of considerable insight and stature. The approach is fresh and spontaneous, but never overrides the deeper meaning in the work. The sound quality...

About

Released to mark the centenary of the first performance of Holst’s The Planets on 29th September 1918, Guild is proud to release this sonic spectacular recording – the first recording of The Planets that was made with 24-bit digital technology by the Abbey Road Studios mobile unit – that has lain in the vaults since it was made in one day in 1993. Multi-talented popular music legend, Mike Batt conducts the Royal Philharmonic Orchestra in an inspired account of Holst’s masterpiece and concludes the CD with a rousing performance of Elgar’s Pomp and Circumstance March No. 1.

Contents and tracklist

The Planets, Op. 32, H. 125: I. Mars, the Bringer of War
Track length6:59
The Planets, Op. 32, H. 125: II. Venus, the Bringer of Peace
Track length8:51
The Planets, Op. 32, H. 125: III. Mercury, the Winged Messenger
Track length4:13
The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity
Track length8:25
The Planets, Op. 32, H. 125: V. Saturn, the Bringer of Old Age
Track length9:39
The Planets, Op. 32, H. 125: VI. Uranus, the Magician
Track length5:49
The Planets, Op. 32, H. 125: VII. Neptune, the Mystic
Track length8:42
Pomp and Circumstance, Op. 39: March No. 1 in D Major
Track length6:30

Awards and reviews

Musical Opinion October/December 2018

Mike Batt triumphs in delivering a performance of considerable insight and stature. The approach is fresh and spontaneous, but never overrides the deeper meaning in the work. The sound quality remains outstanding, as do the performances. Here is a real musician at work, and the orchestra responds magnificently. Thoroughly recommended.

November 2018

Mars’ oozes menace, and Jeff Bryant’s horn solo at the outset of ‘Venus’ is delicious. Batt keeps ‘Mercury’ aloft, and the big tune in Jupiter’ is refreshingly free of bombast. ‘Uranus’ has plenty of black humour, the organ nicely audible near the close.
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