Noringen

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Release Date: 24th Aug 2018
Catalogue No: LWC1159
Label: LAWO
Length: 59 minutes

Usually despatched in 3 - 4 working days

trad.: Gammel-Sjugurmarsjen

Work length3:26

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Anders Eidsten Dahl

trad.: Kom hjerte, sjung en aftensang

Work length4:42

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Anders Eidsten Dahl

Maria Theresia Paradis: Paradis Sicilienne

Work length3:12

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Anders Eidsten Dahl

Bach, J S: Flute Sonata No. 2 in E flat major, BWV1031

Work length9:47

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Anders Eidsten Dahl

I. Allegro Moderato

Track length3:51

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II. Siciliano

Track length2:23

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III. Allegro

Track length3:33

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trad.: Nøringen

Work length4:52

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Anders Eidsten Dahl

trad.: Brureslått fra Øre

Work length2:00

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Anders Eidsten Dahl

Satie: Gymnopédie No. 1

Work length3:29

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Anders Eidsten Dahl

Fauré: Sicilienne, Op. 78

Work length3:29

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Anders Eidsten Dahl

Lindberg, N: Visa efter Torn Erik

Work length5:21

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Anders Eidsten Dahl

Rachmaninoff: Vocalise, Op. 34 No. 14

Work length5:11

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Anders Eidsten Dahl

trad.: Kornet har sin vila

Work length8:04

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Anders Eidsten Dahl

Bach, J S: Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String')

Work length3:04

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Anders Eidsten Dahl

trad.: Afrikansk springar

Work length2:24

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Anders Eidsten Dahl

About
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About

A common theme on this recording is traditional music. [“Noringen” is the name of a well-known 'gangar', a Norwegian traditional dance. It was especially popular in Vestlandet, the region along the Atlantic coast of southern Norway. The dance tune was played the morning after the wedding, when the guests were served food and drink, often after having danced all night. The word means nourishment (food).]

Saxophone and organ sound good together and complement each other well, yet little music has been written for this instrumental combination. For this reason, we are always looking for music that works well and often it is music written for instruments other than our own. Part of the effort of finding good music involves getting accomplished composers and arrangers to write for us. This recording is the concrete result of a concert tour we undertook in Slovakia during some hectic days in the summer of 2017. It features a broad range of music, and the quality, we feel, merits being presented on this album. In addition to the rehearsed repertoire, Bjorn Luksengard (b. 1956), church organist in Sande, Vestfold, sent us his arrangements and compositions during the tour. To some extent we developed the repertoire between the concerts and also tried out some of the music in concert situations.

Not long after returning to Norway, we met for several intense days of recording in Stromso Church in Drammen. It is one of Norway’s largest wooden churches and acquired its Muhleisen organ with 31 stops in 2011. The melodious organ and the church’s good acoustics gave us the conditions we were looking for.

Noringen

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