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Special offer. A Courtly Garland for Baroque Trumpet
Robert Farley (baroque trumpet)
Orpheus Britannicus, Andrew Arthur
Incisive, rhythmically taut in fast movements, eloquently expressive in slow ones, Farley’s artistry is perfectly complimented by the suave sophistication of Orpheus Britannicus. And buttressed...
Special offer. A Courtly Garland for Baroque Trumpet
Robert Farley (baroque trumpet)
Orpheus Britannicus, Andrew Arthur
Purchase product
Incisive, rhythmically taut in fast movements, eloquently expressive in slow ones, Farley’s artistry is perfectly complimented by the suave sophistication of Orpheus Britannicus. And buttressed...
About
Period ensemble Orpheus Britannicus, with director Andrew Arthur, is joined by the renowned Baroque trumpeter Robert Farley for this fascinating album of works for the instrument. Charting the rise of the trumpet within art music during the Baroque period and the growing virtuosic and melodic capabilities of its contemporary players, this thrilling programme tells of the coming age of this exciting genre.
Contents and tracklist
- Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
- Andrew Arthur, Robert Farley
- Orpheus Britannicus
Awards and reviews
November 2018
Incisive, rhythmically taut in fast movements, eloquently expressive in slow ones, Farley’s artistry is perfectly complimented by the suave sophistication of Orpheus Britannicus. And buttressed by vivid recorded sound, there’s an alchemy at work that turns not- so- base metal into trumpet gold!
Awards Issue 2018
[Farley’s] playing shows intelligence, incisive amber tone and, where required, lyrical poise. Fantini’s fearless dance tunes he throws off as if there were nothing easier. Maybe the tuning in some of the higher notes is not always spot-on, but then that’s the nature of the instrument, and in general it’s hard to imagine these pieces being played better.