Rachmaninov: Études-tableaux
Steven Osborne (piano)
Awards:
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Presto Recording of the Week, 3rd August 2018
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Gramophone Magazine, September 2018, Editor's Choice
-
Presto Recordings of the Year, Finalist 2018
-
Limelight Magazine Recordings of the Year, 2018, Nominated - Instrumental
Osborne’s recording is recommendable.
Rachmaninov: Études-tableaux
Steven Osborne (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 3rd August 2018
-
Gramophone Magazine, September 2018, Editor's Choice
-
Presto Recordings of the Year, Finalist 2018
-
Limelight Magazine Recordings of the Year, 2018, Nominated - Instrumental
Osborne’s recording is recommendable.
About
The universal critical plaudits which greeted Steven Osborne’s recording of the Rachmaninov Preludes are certain to be repeated even more enthusiastically on the release of this version of the wonderful Études-tableaux.
Contents and tracklist
Spotlight on this release
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Rachmaninov's Études-tableaux from Steven Osborne
Katherine is mesmerised by the Scottish pianist’s introspective but evocative accounts of Rachmaninov’s two sets of ‘study-pictures’, out now on Hyperion.
Awards and reviews
-
Presto Recording of the Week3rd August 2018
-
Gramophone MagazineSeptember 2018Editor's Choice
-
Presto Recordings of the YearFinalist 2018
-
Limelight Magazine Recordings of the Year2018Nominated - Instrumental
November 2018
Osborne’s recording is recommendable.
3rd August 2018
Osborne approaches these works as fundamentally lyrical, introspective miniature masterworks rather than quasi-symphonic showpieces...If the prevailing atmosphere is one of understatement and even diffidence, Osborne certainly doesn’t disappoint in the more extrovert ‘pictures’...In fact, his natural inclination towards introspection makes the moments when he does open out into something more expansive all the more engaging.
30th July 2018
It instils the works with a certain mystery, captured imaginatively and authoritatively by Steven Osborne. As Rachmaninov said, “a small piece can become as lasting a masterpiece as a large work”. Osborne proves his point.
24th August 2018
Osborne’s pianistic brilliance and deftness easily lets us conjure up our own narratives — or no narratives at all.
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