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Special offer. Haydn: Masses
Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone), Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass), Donna Brown (soprano), Lothar Odinius (tenor), Markus Eiche (bass), Simona...
As might be expected, Rilling’s interpretative values represent a solidly middle-of-the-road view of Haydn. He may not use period instruments, but the choirs don’t sound generous in size, and...
Special offer. Haydn: Masses
Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone), Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass), Donna Brown (soprano), Lothar Odinius (tenor), Markus Eiche (bass), Simona...
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As might be expected, Rilling’s interpretative values represent a solidly middle-of-the-road view of Haydn. He may not use period instruments, but the choirs don’t sound generous in size, and...
About
Austrian classical composer Joseph Haydn was instrumental in his contributions to musical form. He earned the epithets “Father of the Symphony” and “Father of the String Quartet,” but also contributed many works to the genre of the Mass. On this release, eight of his masses have been gathered. Some of these works he wrote for the Esterhazy family, for whom he served as Kapellmeister and court composer. This release begins with the Missa Cellensis in honorem Beatissimae Virginis Mariae, which was written in 1766 after Haydn was promoted to Kapellmeister at Esterhaza. The mass is dedicated to the pilgrimage cult of Mariazell, Styria. Rounding out the release is one of Haydn’s most popular masses, his Missa in tempore belli, or Mass in time of war. The work is also known as the Kettle Bell mass for its dramatic use of timpani. He composed the work in August 1796 when Austria was mobilizing into war. Reflecting the troubled mood of this time, Haydn integrated references to battle in the Benedictus and Agnus Dei movements. Artists on this work include the Gachinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Oregon Bach Festival Orchestra, and more.
Artists
Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone), Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass), Donna Brown (soprano), Lothar Odinius (tenor), Markus Eiche (bass), Simona Šaturová (soprano), Daniela Sindram (alto), James Taylor (tenor), Sibylla Rubens (soprano), Ingeborg Danz (alto), Linh Kauffmann (soprano), David Dong-Geun Kim (bass), Corby Welch (tenor), Yorck Felix Speer (bass), Ruth Ziesak (soprano), Christoph Prégardien (tenor), Michel Brodard (bass)
Munich Orpheus Choir, Neue Hofkapelle München, New York Trinity Church Choir, REBEL Baroque Orchestra, Gächinger Kantorei, Bach-Collegium Stuttgart, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra, Radio-Sinfonieorchester Stuttgart des SWR, Stuttgart Chamber Orchestra, Gerd Guglhör, Owen Burdick, Helmuth Rilling
Contents and tracklist
- Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone)
- Munich Orpheus Choir, Neue Hofkapelle München
- Gerd Guglhör
- Recorded: 19-21 June 1997
- Recording Venue: Evang. Luth. Kirche, St. Johann, Munich, Germany
- New York Trinity Church Choir, REBEL Baroque Orchestra
- Owen Burdick
- Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass)
- Gächinger Kantorei, Bach-Collegium Stuttgart
- Helmuth Rilling
- Recorded: 18-19 November 2006
- Recording Venue: Liederhalle Stuttgart, Beethovensaal, Germany
- Donna Brown (soprano), Roxana Constantinescu (alto), Lothar Odinius (tenor), Markus Eiche (bass)
- Oregon Bach Festival Choir, Oregon Bach Festival Orchestra
- Helmuth Rilling
- Recorded: 14 July 2006
- Recording Venue: Hult Center for the Performing Arts, Eugene, Oregon, United States
- Simona Šaturová (soprano), Daniela Sindram (alto), James Taylor (tenor), Michael Nagy (bass)
- Gächinger Kantorei, Radio-Sinfonieorchester Stuttgart des SWR
- Helmuth Rilling
- Recorded: 30 May - 1 June 2008
- Recording Venue: Liederhalle Stuttgart, Beethovensaal, Germany
- Sibylla Rubens (soprano), Ingeborg Danz (alto), Lothar Odinius (tenor), Michael Nagy (bass), Linh Kauffmann (soprano), David Dong-Geun Kim (bass)
- Oregon Bach Festival Choir, Oregon Bach Festival Orchestra
- Helmuth Rilling
- Recorded: 4-5 July 2008
- Recording Venue: Hult Center for the Performing Arts, Eugene, Oregon, United States
- Simona Šaturová (soprano), Roxana Constantinescu (alto), Corby Welch (tenor), Yorck Felix Speer (bass)
- Oregon Bach Festival Choir, Oregon Bach Festival Orchestra
- Helmuth Rilling
- Recorded: 7-9 July 2007
- Recording Venue: Hult Center for the Performing Arts, Eugene, Oregon, United States
- Ruth Ziesak (soprano), Ingeborg Danz (alto), Christoph Prégardien (tenor), Michel Brodard (bass)
- Gächinger Kantorei, Stuttgart Chamber Orchestra
- Helmuth Rilling
- Recorded: January 1992
- Recording Venue: Stadthalle Leonberg, Germany
Awards and reviews
January 2019
As might be expected, Rilling’s interpretative values represent a solidly middle-of-the-road view of Haydn. He may not use period instruments, but the choirs don’t sound generous in size, and instrumental and vocal phrasing is always stylish. Tempi are consistently well judged, never extreme nor exaggerated.
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