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Special offer. Haydn: Masses

Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone), Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass), Donna Brown (soprano), Lothar Odinius (tenor), Markus Eiche (bass), Simona...

Haydn: Masses
As might be expected, Rilling’s interpretative values represent a solidly middle-of-the-road view of Haydn. He may not use period instruments, but the choirs don’t sound generous in size, and...

Special offer. Haydn: Masses

Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone), Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass), Donna Brown (soprano), Lothar Odinius (tenor), Markus Eiche (bass), Simona...

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
As might be expected, Rilling’s interpretative values represent a solidly middle-of-the-road view of Haydn. He may not use period instruments, but the choirs don’t sound generous in size, and...

About

Austrian classical composer Joseph Haydn was instrumental in his contributions to musical form. He earned the epithets “Father of the Symphony” and “Father of the String Quartet,” but also contributed many works to the genre of the Mass. On this release, eight of his masses have been gathered. Some of these works he wrote for the Esterhazy family, for whom he served as Kapellmeister and court composer. This release begins with the Missa Cellensis in honorem Beatissimae Virginis Mariae, which was written in 1766 after Haydn was promoted to Kapellmeister at Esterhaza. The mass is dedicated to the pilgrimage cult of Mariazell, Styria. Rounding out the release is one of Haydn’s most popular masses, his Missa in tempore belli, or Mass in time of war. The work is also known as the Kettle Bell mass for its dramatic use of timpani. He composed the work in August 1796 when Austria was mobilizing into war. Reflecting the troubled mood of this time, Haydn integrated references to battle in the Benedictus and Agnus Dei movements. Artists on this work include the Gachinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Oregon Bach Festival Orchestra, and more.

Artists

Christoph Genz (tenor), Priska Eser Streit (soprano), Anne Buter (mezzo-soprano), Thomas Hamberger (bass-baritone), Letizia Scherrer (soprano), Roxana Constantinescu (alto), Maximilian Schmitt (tenor), Michael Nagy (bass), Donna Brown (soprano), Lothar Odinius (tenor), Markus Eiche (bass), Simona Šaturová (soprano), Daniela Sindram (alto), James Taylor (tenor), Sibylla Rubens (soprano), Ingeborg Danz (alto), Linh Kauffmann (soprano), David Dong-Geun Kim (bass), Corby Welch (tenor), Yorck Felix Speer (bass), Ruth Ziesak (soprano), Christoph Prégardien (tenor), Michel Brodard (bass)

Munich Orpheus Choir, Neue Hofkapelle München, New York Trinity Church Choir, REBEL Baroque Orchestra, Gächinger Kantorei, Bach-Collegium Stuttgart, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra, Radio-Sinfonieorchester Stuttgart des SWR, Stuttgart Chamber Orchestra, Gerd Guglhör, Owen Burdick, Helmuth Rilling

Contents and tracklist

Ia. Kyrie. Kyrie I. Adagio - Allegro con spirito
Track length3:11
Ib. Kyrie. Christe. Allegretto
Track length3:03
Ic. Kyrie. Kyrie II. Vivace
Track length3:00
IIa. Gloria. Allegro di molto
Track length2:55
IIb. Gloria. Moderato
Track length3:52
IIc. Gloria. Gratias. Alla breve
Track length2:45
IId. Gloria. Domine Jesu. Allegro
Track length4:55
IIe. Gloria. Qui tollis. Adagio
Track length5:58
IIf. Gloria. Quoniam. Allegro di molto
Track length3:06
IIg. Gloria. Cum Sancto Spiritu
Track length0:29
IIh. Gloria. Largo - Allegro con spirito
Track length2:57
IIIa. Credo. Vivace
Track length3:37
IIIb. Credo. Largo
Track length6:53
IIIc. Credo. Et resurrexit. Allegro
Track length4:41
IV. Sanctus
Track length1:32
V. Benedictus
Track length5:12
VIa. Agnus Dei. Largo
Track length2:20
VIb. Agnus Dei. Presto
Track length2:16
I. Kyrie
Track length1:01
II. Gloria
Track length1:34
III. Credo
Track length2:39
IV. Sanctus
Track length0:58
V. Benedictus
Track length2:56
VIa. Agnus Dei
Track length1:28
VIb. Agnus Dei. Dona nobis pacem
Track length1:09
I. Kyries I-III
Track length4:15
IIa. Gloria
Track length3:27
IIb. Gloria. Qui tollis peccata mundi
Track length4:17
IIc. Gloria. Quoniam tu solus sanctus
Track length2:36
IIIa. Credo
Track length1:41
IIIb. Credo. Et incarnatus est
Track length3:39
IIIc. Credo. Et resurrexit
Track length3:28
IV. Sanctus
Track length2:28
V. Benedictus
Track length6:40
VIa. Agnus Dei
Track length2:50
VIb. Agnus Dei. Dona nobis pacem
Track length2:40
Ia. Kyrie I
Track length3:50
Ib. Kyrie II & III
Track length3:10
IIa. Gloria
Track length7:14
IIb. Gloria. Quoniam tu solus sanctus
Track length3:31
IIIa. Credo
Track length1:52
IIIb. Credo. Et incarnatus est
Track length2:42
IIIc. Credo. Et resurrexit
Track length3:58
IV. Sanctus
Track length3:10
V. Benedictus
Track length5:18
VIa. Agnus Dei
Track length3:00
VIb. Agnus Dei - Dona nobis pacem
Track length3:12
I. Kyrie
Track length7:25
II. Gloria
Track length11:15
III. Credo
Track length10:20
IV. Sanctus
Track length2:41
V. Benedictus
Track length4:17
VI. Agnus Dei
Track length5:33
I. Kyrie
Track length4:34
II. Gloria
Track length8:48
III. Credo
Track length9:15
IV. Sanctus
Track length1:27
V. Benedictus
Track length5:18
VI. Agnus Dei
Track length5:30
I. Kyrie
Track length4:21
IIa. Gloria
Track length2:38
IIb. Gloria. Gratias agimus tibi
Track length4:33
IIc. Gloria. Quoniam tu solus sanctus
Track length2:57
IIIa. Credo
Track length1:46
IIIb. Credo. Et incarnatus est
Track length3:02
IIIc. Credo. Et resurrexit
Track length4:02
IV. Sanctus
Track length2:08
V. Benedictus
Track length5:14
VIa. Agnus Dei
Track length2:19
VIb. Agnus Dei. Dona nobis pacem
Track length3:55
I. Kyrie
Track length4:44
IIa. Gloria. Gloria in excelsis
Track length2:46
IIb. Gloria. Qui tollis
Track length5:04
IIc. Gloria. Quoniam tu solus sanctus
Track length2:25
IIIa. Credo
Track length1:14
IIIb. Credo. Et incarnatus est
Track length3:50
IIIc. Credo. Et resurrexit
Track length2:04
IIId. Credo. Et vitam venturi
Track length2:30
IV. Sanctus
Track length2:30
V. Benedictus
Track length5:37
VIa. Agnus Dei
Track length2:37
VIb. Agnus Dei. Dona nobis pacem
Track length3:03

Awards and reviews

January 2019

As might be expected, Rilling’s interpretative values represent a solidly middle-of-the-road view of Haydn. He may not use period instruments, but the choirs don’t sound generous in size, and instrumental and vocal phrasing is always stylish. Tempi are consistently well judged, never extreme nor exaggerated.
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