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Widmann: Viola Concerto

Antoine Tamestit (viola), Signum Quartett

Symphonie-Orchester des Bayerischen Rundfunks, Daniel Harding

Widmann: Viola Concerto

Awards:

This is a wonderfully rich and rewarding concerto, packed with inventive orchestral detail. Widmann seems to move between different worlds ion the five interlinked movements, and the slower...

Widmann: Viola Concerto

Antoine Tamestit (viola), Signum Quartett

Symphonie-Orchester des Bayerischen Rundfunks, Daniel Harding

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This release includes a digital booklet

Stream now Hi-RES 44.1 kHz, 24 bit

Awards:

This is a wonderfully rich and rewarding concerto, packed with inventive orchestral detail. Widmann seems to move between different worlds ion the five interlinked movements, and the slower...

About

The brainchild of Antoine Tamestit, this recording stems from a long-standing collaboration with his recital partner, Jörg Widmann. Over the course of his new viola concerto, Widmann the composer lets his soloist move freely about the stage, producing fresh orchestral colours within a novel structure: combining humour with earnestness, ferocity with delicacy, Widmann’s unfailing sense of theatre serves to highlight the work’s haunting beauty. Whether embedded in the orchestral fabric or exploring the more intimate pieces on this programme, the violist comes out a hero, hands down!

Contents and tracklist

I. Pizzicato. Molto rubato - Più mosso
Track length8:46
II. Sehr langsam - Calmo
Track length8:37
III. Poco vivo subito
Track length2:24
IV. Toccata, Presto
Track length1:59
V. Aria. Molto Adagio
Track length6:16
No. 9. Calmo
Track length0:40
No. 14. Capriccio
Track length1:43
No. 15. Canto
Track length1:01
No. 16. Petit ballet mécanique (Pas de deux)
Track length0:57
No. 12. Kanon-Fragment
Track length0:26
No. 5. Frage
Track length0:49
No. 6. Scherzando (un poco sostenuto)
Track length0:15
No. 21. Valse bavaroise
Track length1:37
No. 22. Lamento
Track length3:10

Awards and reviews

May 2018

This is a wonderfully rich and rewarding concerto, packed with inventive orchestral detail. Widmann seems to move between different worlds ion the five interlinked movements, and the slower passages yield particularly haunting music…From Tamestit’s searing playing, to the tight rapport with the Bavarian Radio Symphony Orchestra and Daniel Harding, this is an impressive premiere recording.

June 2018

What is undeniable is the commitment of Tamestit as he plays, moves and sometimes shouts his way through a score more distinctive for its gestural immediacy than its thematic content.
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