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Special offer. Bliss: The Beatitudes, Introduction and Allegro & God save the Queen

Emily Birsan (soprano), Ben Johnson (tenor)

BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis

Bliss: The Beatitudes, Introduction and Allegro & God save the Queen

Awards:

There is no doubting Sir Andrew Davis’s grasp of The Beatitudes, and he steers a broadly authoritative performance, with incisive, committed playing from the BBC Symphony Orchestra…Davis’s punchy,...

Special offer. Bliss: The Beatitudes, Introduction and Allegro & God save the Queen

Emily Birsan (soprano), Ben Johnson (tenor)

BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

There is no doubting Sir Andrew Davis’s grasp of The Beatitudes, and he steers a broadly authoritative performance, with incisive, committed playing from the BBC Symphony Orchestra…Davis’s punchy,...

About

Excelling in recordings of Delius, Elgar, and Holst, Sir Andrew Davis here presents a spirited programme of works by Sir Arthur Bliss. It follows a recording of Morning Heroes that made the top recommendations of 2015; likewise recorded in surround-sound, it conveys the energy of both the exceptional soloists and the impeccable BBC Symphony Orchestra and Chorus. Premiered along with Britten’s War Requiem at the consecration of the new Coventry Cathedral in 1962, but hardly ever heard since, The Beatitudes is remarkable for its dramatic intensity, ‘full of contrast and striking orchestral effects’, as The Times noted after a recent Barbican performance given by the same forces. The reviewer added that ‘soprano Emily Birsan was silvery clear, well supported by the tenor Ben Johnson. And the biggest round of applause should go to the BBC Symphony Chorus, full of passion.’ To complete the album are an arrangement of the national anthem having all the flair that made the tenure of Bliss as Master of the Queen’s Music distinctive and successful, as well as the virtuosic Introduction and Allegro, dedicated to Stokowski and inspired by the powerful sound of American orchestras post-World War I.

Contents and tracklist

Prelude. A Troubled World
Track length3:17
No. 1, The Mount of Olives
Track length4:33
No. 2, First and Second Beatitudes
Track length3:39
No. 3, Easter
Track length6:04
No. 4, I Got Me Flowers to Strew Thy Way
Track length4:30
No. 5, Third Beatitude
Track length1:20
No. 6, The Lofty Looks of Man Shall Be Humbled
Track length3:58
No. 7, Fourth Beatitude
Track length2:11
No. 8, The Call
Track length3:53
Interlude
Track length1:26
No. 9, Fifth, Sixth, Seventh & Eighth Beatitudes
Track length3:46
No. 10, And Death Shall Have No Dominion
Track length3:11
No. 11, Ninth Beatitude
Track length1:30
Voices of the Mob
Track length1:03
No. 12, Epilogue. O Blessed Jesu
Track length6:51

Spotlight on this release

Awards and reviews

April 2018

There is no doubting Sir Andrew Davis’s grasp of The Beatitudes, and he steers a broadly authoritative performance, with incisive, committed playing from the BBC Symphony Orchestra…Davis’s punchy, urgent account of the Introduction and Allegro…is useful as this is another piece not easy to come by on record.

March 2018

Andrew Davis clearly has a peculiar empathy for this music and the clean edges of Bliss’s orchestral palette, complemented by some lovely playing from the BBC SO and the two soloists, Emily Birsan and Ben Johnson.

11th March 2018

Davis follows his championing of the First World War cantata Morning Heroes with this splendid account of the oratorio, reflecting the spiritual atmosphere of the occasion, yet not without its interludes of drama and violence. The writing for soloists (Emily Birsan, above, and Ben Johnson) is ecstatically lyrical.
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