Szymanowski: Piano Works Vol. 4 & 5
Anu Vehvilainen (piano)
Vehviläinen copes resourcefully with [the First Sonata’s] thicket of over-written textures, replete with double glissandos and multi-voiced trills. It may be, however, that her intrepid pianism...
Szymanowski: Piano Works Vol. 4 & 5
Anu Vehvilainen (piano)
Purchase product
Vehviläinen copes resourcefully with [the First Sonata’s] thicket of over-written textures, replete with double glissandos and multi-voiced trills. It may be, however, that her intrepid pianism...
About
The fourth and fifth albums of this Szymanowski’s complete solo piano works series. This release introduces piano music from all of three Szymanowskis style periods. Pianist Anu Vehviläinen (DMus) works as a university lecturer at the DocMus Doctoral School of the Sibelius Academy, the University of the Arts Helsinki. She teaches piano, supervises artistic doctoral students’ theses, runs courses and develops the artistic education at the doctoral level. Vehviläinen’s artistic interest has focussed on Karol Szymanowski’s piano music.
Contents and tracklist
Szymanowski:
Prelude and fugue in C-sharp minor (Preludi ja fuga pianolle cis-molli)
Work length6:44
- Anu Vehviläinen (piano)
Szymanowski:
Variations on a Polish folk-tune in B minor 0p. 10 (Variaatioita puolalaisesta kansanlaulusta h-mollissa)
Work length21:59
This work is only available as an album download.
- Anu Vehviläinen (piano)
Variations on a Polish Folk Theme in B Minor, Op. 10, M10
Track length21:59
This track is only available as an album download.
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
- Anu Vehviläinen (piano)
Awards and reviews
March 2018
Vehviläinen copes resourcefully with [the First Sonata’s] thicket of over-written textures, replete with double glissandos and multi-voiced trills. It may be, however, that her intrepid pianism is shown in its best light in two of the four books of the Op. 50 Mazurkas.
