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Handel: Lotario, HWV 26
Sophie Rennert, Marie Lys, Ursula Hesse von den Steinen, Jorge Navarro Colorado, FestspielOrchester Göttingen, Laurence Cummings
They maintain the pace of the action on the large scales but in small scale detail their energy and momentum give the singers space; there’s a deep resonace to the sound and particularly nimble...
Handel: Lotario, HWV 26
Sophie Rennert, Marie Lys, Ursula Hesse von den Steinen, Jorge Navarro Colorado, FestspielOrchester Göttingen, Laurence Cummings
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They maintain the pace of the action on the large scales but in small scale detail their energy and momentum give the singers space; there’s a deep resonace to the sound and particularly nimble...
About
The king is dead! Berengario and Matilde are determined to seize power over Italy at all costs. To this end, they intend their son Idelberto to marry the newly widowed Adelaide. But the proud monarch has long since summoned Lotario, the noble German king, to her aid. The struggle for power begins… The Göttingen Handel Festival continues its close collaboration with the Accent label, which has already yielded great recordings of works like Siroé, Faramondo, Joshua, Susanna or Agrippina. The addition to the series of this May 2017 recording of Lotario is without doubt a very welcome one for all Handel lovers.
Contents and tracklist
- Jorge Navarro Colorado (tenor), Todd Boyce (baritone), Laurence Cummings (harpsichord), Jud Perry (countertenor), Ursula Hesse von den Steinen (mezzo-soprano), Marie Lys (soprano), Sophie Rennert (mezzo-soprano)
- FestspielOrchester Göttingen
Awards and reviews
6th January 2018
They maintain the pace of the action on the large scales but in small scale detail their energy and momentum give the singers space; there’s a deep resonace to the sound and particularly nimble oboe playing. It’s a strong performance to match a strong cast…soprano Marie Lys [is] in captivating form, really sparkling.
March 2018
This warts-and-all performance has a persuasive dramatic heart – due in large part to Laurence Cummings’s expert direction of the excellent orchestra, which uses a satisfying variety of expressive rhetorical tools and aptly shaded textures…Notwithstanding a few imperfections, this is a convincing argument that Lotario is not merely packed with excellent music but can be gripping theatre.
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