Special offer. William Bolcom: Piano Music
Constantine Finehouse (piano), Estela Olevsky (piano), Ursula Oppens (piano) & Christopher Taylor (piano)
Awards:
-
Presto Editor's Choice, December 2017
Bolcom is a stylistic chameleon whose own voice is not so much absent as (purposely?) underplayed…Maybe this hardly matters given the sheer finesse of his writing, not least as rendered by...
Special offer. William Bolcom: Piano Music
Constantine Finehouse (piano), Estela Olevsky (piano), Ursula Oppens (piano) & Christopher Taylor (piano)
Purchase product
Awards:
-
Presto Editor's Choice, December 2017
Bolcom is a stylistic chameleon whose own voice is not so much absent as (purposely?) underplayed…Maybe this hardly matters given the sheer finesse of his writing, not least as rendered by...
About
William Bolcom was awarded the 1988 Pulitzer Prize in Music for his 12 New Etudes for piano, and his music has always revolved around works for the instrument on which he still performs as a soloist and accompanist. This collection of mostly premiere recordings reveals student pieces that negotiate 20th-century musical battles between the avant-garde influences of Boulez and Messiaen and Bolcom’s love of Schumann, as well as later work that embraces the 1960s ragtime revival and draws inspiration from friends and colleagues in every phase of his distinguished six-decade career. Elegantly performed by friends of the composer, this wide-ranging program is summed up by Bolcom as ‘cleaning house’ in the Charles Ives tradition.
Contents and tracklist
- Ursula Oppens (piano)
- Christopher Taylor (piano)
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Ursula Oppens (piano)
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Constantine Finehouse (piano)
- Recorded: 8 April and 18-20 May 2015
- Recording Venue: Fraser Studio, WGBH, Boston, Massachusetts, USA
- Christopher Taylor (piano)
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Ursula Oppens (piano)
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Constantine Finehouse (piano)
- Recorded: 8 April and 18-20 May 2015
- Recording Venue: Fraser Studio, WGBH, Boston, Massachusetts, USA
- Estela Olevsky (piano)
- Constantine Finehouse (piano)
- Recorded: 8 April and 18-20 May 2015
- Recording Venue: Fraser Studio, WGBH, Boston, Massachusetts, USA
- Constantine Finehouse (piano)
- Recorded: 26-29 September, 1 and 5-7 October 2014
- Recording Venue: American Academy of Arts and Letters, New York, USA
- Christopher Taylor (piano)
- Constantine Finehouse (piano)
- Christopher Taylor (piano)
Awards and reviews
-
Presto Editor's ChoiceDecember 2017
March 2018
Bolcom is a stylistic chameleon whose own voice is not so much absent as (purposely?) underplayed…Maybe this hardly matters given the sheer finesse of his writing, not least as rendered by four leading American pianists. Anyone suitably provoked should accordingly investigate this set, each of whose discs is well planned as a stand-alone sequence.