There is some captivatingly lovely music here, regardless of whose signature should be attached to it, and it’s captivatingly played, too…Balance, ensemble an intonation are beautifully judged, and the sound is seductively transparent. In short, fine inauthentic Bach, played in fine authentic style.

It’s an interesting and diverse assortment, performed here with enough style and conviction to genuinely make the modern-day issue of not being able to attach a ‘name’ to a musically worthwhile piece seem irrelevant…There’s some beautiful duetting across the programme too.

a fine idea … it’s worth leaving his [Pisendel] name attached so at least we can still find it and hear what an excellent piece it is, and so is this performance from Amandine Beyer and Gli Incogniti.