From the outset, what impresses is her physical command of the music – her D major Toccata sparkles with purpose and has a strong sense of cohesion through its contrasting sections. Avdeeva may be less subtle in her voicing than Hewitt but her way with the concluding virtuoso passage makes for a propulsive ride.

There is a fine sense of command and flow to Avdeeva’s playing throughout and if her renditions of the slower numbers – for instance, the Sarabandes in both the English Suite and Overture – do not explore the full depths of Bach’s expressive invention, her way with the quicker dance movements is winning. The Toccata is rendered particularly strongly. Mirare’s sound, engineered by Andres Neubronner, is beautifully balanced.