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JS Bach: Keyboard Concertos BWV 1052-1054

Schaghajegh Nosrati (piano)

While the D major Concerto, BWV1054 appears newly spruced up, performed with delectable, unadulterated buoyancy, the protean D minor and E major Concertos unveil a fascinating new twist. At...

JS Bach: Keyboard Concertos BWV 1052-1054

Schaghajegh Nosrati (piano)

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While the D major Concerto, BWV1054 appears newly spruced up, performed with delectable, unadulterated buoyancy, the protean D minor and E major Concertos unveil a fascinating new twist. At...

About

Once again, Schaghajegh Nosrati captivates us from the very beginning in her second GENUIN album: Here too she plays Bach, and, following her recording of the "The Art of Fugue," she has now put three of Bach's piano concertos on the program. Her piano sound speaks to us and Nosrati relays stories with her performance, of which great colleagues like AndrAs Schiff mention with respect. Nosrati's partner in these narrations is the flexible and elastic Deutsche Kammerorchester Berlin, which richly supports the velvety piano sound. Youthfulness and maturity: an ideal combination for Bach! Born in Bochum (Germany) in 1989, Schaghajegh Nosrati learned to play piano at age four. In 2007 she attended the Hochschule fur Musik und Theater Hannover as a young student of Prof. Steen-Nokleberg and was a full-time student in the piano class of Prof. Oakden from 2008 to 2015. After receiving her Master’s degree in 2015 she has been studying in the solo performance class of Prof. Ewa Kupiec. “It is very rare that a young musician is dedicated to the music of Bach as Schaghajegh Nosrati is. She understands and plays this great music with astonishing clarity, purity and maturity.” (Sir Andras Schiff)

Contents and tracklist

I. —
Track length7:18
II. Adagio e sempre piano
Track length6:12
III. Allegro
Track length2:55
I. Allegro
Track length7:37
II. Adagio
Track length7:38
III. Allegro
Track length7:45
I. —
Track length8:15
II. Siciliano
Track length5:09
III. Allegro
Track length6:42

Awards and reviews

December 2017

While the D major Concerto, BWV1054 appears newly spruced up, performed with delectable, unadulterated buoyancy, the protean D minor and E major Concertos unveil a fascinating new twist. At Levin’s suggestion, Nosrati presents the outer movements with added wind parts sourced from previous cantata incarnations…Bach on the piano has a compelling new exponent.
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