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Special offer. Carnevale 1729

Ann Hallenberg (mezzo-soprano)

Il Pomo d'Oro, Stefano Montanari

Carnevale 1729

Awards:

Arias from each role might as well have been tailor-made for Hallenberg’s pinpoint virtuosity and lyricism, communicative use of language, idiomatic embellishment, intelligently sculpted phrasing...

Special offer. Carnevale 1729

Ann Hallenberg (mezzo-soprano)

Il Pomo d'Oro, Stefano Montanari

Purchase product

88.2 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($30.25) Reduced price $18.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($24.00) Reduced price $14.50

320 kbps, MP3

Original price ($20.00) Reduced price $12.00

This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit

Awards:

Arias from each role might as well have been tailor-made for Hallenberg’s pinpoint virtuosity and lyricism, communicative use of language, idiomatic embellishment, intelligently sculpted phrasing...

About

The Carnival of Venice in 1729 was quite unlike any other. Over a period of two months, opera houses went into a frenzy of competition to show off the most famous singers of the day, including the legendary castrato Farinelli who made his astonishing Venetian debut. Several of the most fashionable composers rose to the occasion, writing ravishing music for spectacular productions which often pitted the singers against each other in breathtaking displays of virtuosity. The results were sensational; one tour de force followed another in an atmosphere of fevered excitement and the adoring public lapped it up.

"The excellent musicians of the fantastic period-instrument ensemble ... get it all perfectly right: every tone, every phrase, coloratura and accompaniment" (SUddeutsche Zeitung).

The critically acclaimed II pomo d'oro is an Italian baroque ensemble founded in 2012 with a special focus on opera with authentic performances on period instruments. They have recorded 15 albums including the world premiere recording of Leonardo Leo's Cantone in Utica.

Ann Hallenberg is a much in-demand Swedish mezzo-soprano and has recorded over 40 CDs, her solo CD Agrippina winning the award for best operatic recital at the International Opera Awards in May 2016.

The baroque violinist and conductor Stefano Montanan' is a much sought after guest conductor with both modern and period orchestras. He is regarded as one of the finest baroque violin virtuosos of his generation. His recording of Corelli's Violin Sonatas op.5 won a Diapason d'Or and he was nominated for a Grammy Award for his recording of Purcell's O Solitude with Andreas Scholl for Decca.

Contents and tracklist

Gianguir: Mi par sentir la bella
Track length9:43
Adelaide: Non sempre invendicata
Track length5:38
Adelaide: O del mio caro sposo... Quanto bello agl'occhi miei
Track length15:22
Adelaide: Scherza in mar la navicella
Track length5:44
Adelaide: Vedrò più liete e belle
Track length8:40
Gianguir: Vanne, si, di al mio diletto
Track length7:11
Filandro: Il tuo core in dono accetto
Track length4:07
Filandro: Fior, ch'a spuntar si vede
Track length3:31
Semiramide riconosciuta: Il pastor se torna aprile
Track length6:28
Semiramide riconosciuta: In braccio a mille furie
Track length3:04
Semiramide riconosciuta: Bel piacer saria d'un core
Track length8:35
Catone in Utica: Soffre talor del vento
Track length6:48
Catone in Utica: Ombra cara, ombra adorata
Track length9:22
L'abbandono di Armida: Nave altera che in mezzo all'onde
Track length4:17

Awards and reviews

  • BBC Music Magazine
    September 2017
    Disc of the month
  • Gramophone Magazine
    Awards Issue 2017
    Editor's Choice
  • The Times Records of the Year
    2017
  • BBC Music Magazine Awards
    2018
    Finalist - Opera
  • Record Review
    8th July 2017
    Recording of the Week
  • Gramophone Awards
    2018
    Shortlisted - Recital

Awards Issue 2017

Arias from each role might as well have been tailor-made for Hallenberg’s pinpoint virtuosity and lyricism, communicative use of language, idiomatic embellishment, intelligently sculpted phrasing (limpid, gentle or turbulent as the music demands) and astute theatrical characterisation.

October 2017

[Hallenberg] yes, the evenly produced control across the whole range is there; yes, the the technique to sing demanding passaggi is present and so is the mastery and intelligent application of ornamentation, including trills.

2nd July 2017

Her range, with astonishing evenness of tone and voluptuous colouring, extends from contralto to soprano, and her sublime artistry keeps the attention...Her technical bravura leaves one almost breathless...Hallenberg’s alchemy turns this accomplished music to 24-carat gold.

9th July 2017

Hallenberg dazzles with sensational virtuosity and warm tone that is straight as a die, and Il pomo d’oro supports brilliantly.
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