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Special offer. JS Bach: Solo Works for Marimba

Kuniko (marimba)

The sheer technical elan she brings to the violin fugues is jaw-dropping, and BWV 1003’s concluding Allegro is despatched with a much-needed crystalline purposefulness

Special offer. JS Bach: Solo Works for Marimba

Kuniko (marimba)

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2 CDs

Original price $30.75 Reduced price $23.06

4 available: usually despatched in 3 - 4 working days

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From Original price $13.25 Reduced price $9.25

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($26.75) Reduced price $18.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($20.00) Reduced price $14.00

320 kbps, MP3

Original price ($13.25) Reduced price $9.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
The sheer technical elan she brings to the violin fugues is jaw-dropping, and BWV 1003’s concluding Allegro is despatched with a much-needed crystalline purposefulness

About

The Japanese percussionist turns to the cello suites and violin sonatas of J.S. Bach for her fourth studio recording with Linn.

Kuniko’s debut kuniko plays reich was acclaimed by the media becoming Linn’s bestselling album of 2011, whilst cantus entered the Top 10 of the Official UK Specialist Classical Chart and Xenakis: IX was nominated in the Contemporary Music and Recording categories at Japan’s Record Academy Awards.

Arranged for solo marimba, Kuniko gives a unique perspective of these hugely famous and intellectually challenging works.

Kuniko’s trademark is her highly sensitive touch, particularly with wooden instruments such as marimba, which gives these interpretations an extremely stripped down yet natural, organic feel.

The beautiful acoustic of the medieval Jaani Kirik (St John’s Church) in Estonia creates the ideal sound space for Kuniko’s arrangements.

Kuniko won praise for her performance of Bach’s G minor violin sonata at the 1995 Leigh Howard Stevens International Marimba Competition, particularly for her lack of marimba rolls in the Adagio.

Kuniko is a soloist who is recognised around the world for her astonishing virtuosity, exquisite musical insight and expressive yet elegant performance style.

She is renowned for her flawless technique when playing both keyboard and percussion instruments, which blends seamlessly with her profound musical intelligence.

Contents and tracklist

I. Prelude (Arr. for Marimba)
Track length3:19
II. Allemande (Arr. for Marimba)
Track length4:40
III. Courante (Arr. for Marimba)
Track length3:55
IV. Sarabande (Arr. for Marimba)
Track length3:26
V. Menuett I and II (Arr. for Marimba)
Track length5:18
VI. Gigue (Arr. for Marimba)
Track length2:11
I. Prelude (Arr. for Marimba)
Track length4:23
II. Allemande (Arr. for Marimba)
Track length4:06
III. Courante (Arr. for Marimba)
Track length4:18
IV. Sarabande (Arr. for Marimba)
Track length4:31
V. Bourrée I and II (Arr. for Marimba)
Track length5:27
VI. Gigue (Arr. for Marimba)
Track length3:48
I. Prelude [Arr. for Marimba]
Track length6:56
II. Allemande [Arr. for Marimba]
Track length5:10
III. Courante [Arr. for Marimba]
Track length2:40
IV. Sarabande [Arr. for Marimba]
Track length4:31
V. Gavotte I [Arr. for Marimba]
Track length2:44
VI. Gavotte II [Arr. for Marimba]
Track length1:51
VII. Gigue [Arr. for Marimba]
Track length3:09
I. Adagio (Arr. for Marimba)
Track length4:32
II. Fuga (BWV 1000) [Arr. for Marimba]
Track length6:51
III. Siciliana (Arr. for Marimba)
Track length4:18
IV. Presto (Arr. for Marimba)
Track length5:37
I. Grave (Arr. for Marimba)
Track length4:00
II. Fuga (Arr. for Marimba)
Track length9:55
III. Andante (Arr. for Marimba)
Track length6:34
IV. Allegro (Arr. for Marimba)
Track length7:31
I. Adagio (Arr. for Marimba)
Track length4:30
II. Fuga (Arr. for Marimba)
Track length12:06
III. Largo (Arr. for Marimba)
Track length3:38
IV. Allegro assai (Arr. for Marimba)
Track length6:10

Awards and reviews

October 2017

The sheer technical elan she brings to the violin fugues is jaw-dropping, and BWV 1003’s concluding Allegro is despatched with a much-needed crystalline purposefulness
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