Flaminis aura: Works by Tommie Haglund

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Truly this sounds like Bruckner from a faraway planet…Afkham and the Gothenburg Symphony Orchestra manage the subtle and not-so-subtle shifting of the music’s huge tectonic plates impressively. — Gramophone Magazine, Awards Issue 2017 More…

Release Date: 28th Jul 2017
Catalogue No: BIS2025
Label: BIS
Length: 83 minutes

Usually despatched in 3 - 4 working days

Haglund: Cello Concerto, "Flaminis Aura"

Work length35:42

Album only

Ernst Simon Glaser (cello)
Gothenburg Symphony Orchestra
David Afkham

Haglund: Il regno degli spiriti

Work length19:29

Album only

$5.15

$7.00

Julia-Maria Kretz (violin)
Trio ZilliacusPerssonRaitinen

Haglund: Sollievo (dopo la tempesta)

Work length14:21

$2.05

$3.85

$5.25

Trio ZilliacusPerssonRaitinen

Haglund: Serenata per Diotima

Work length14:12

$2.05

$3.85

$5.25

Håkan Rudner (violin)
Malmö Symphony Orchestra
Joachim Gustafsson

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This composer portrait opens with Tommie Haglund’s first score for full orchestra – the cello concerto Flaminis aura. Composed in 2001 and rewarded 13 years later with Sweden’s most important composition prize, the work is in a single movement with a slow basic pulse, and thus conforms to a recurring pattern within Haglund’s production. Its Latin title describes a state immediately prior to a religious revelation, and the music forms an exploration of both the human interior and the cosmos – towards the end of the work a tape with space sounds recorded by NASA is heard: a ‘Song of Earth’.

Performed by Ernst Simon Glaser and the Gothenburg Symphony, the concerto is followed by another composition from 2001, the string quartet Il regno degli spiriti, and the string trio Sollievo (dopo la tempesta). Both these works are here performed by the highly regarded string trio ZilliacusPerssonRaitinen (ZPR), joined by Julia Kretz-Larsson on second violin in the quartet. Sollievo… was composed for ZPR in 2013, and its title – ‘relief after the storm’ – refers to the end of a period of painful treatment following a back operation. With a generous playing time of close to 84 minutes, the disc closes with Serenata per Diotima from 2014, interpreted by the strings of Malmö Symphony Orchestra with substantial violin solos from Håkan Rudner. Celebrating the female philosopher of Greek antiquity, the piece was also inspired by the birth of the composer’s first grandchild.

Reviews

Awards Issue 2017

Truly this sounds like Bruckner from a faraway planet…Afkham and the Gothenburg Symphony Orchestra manage the subtle and not-so-subtle shifting of the music’s huge tectonic plates impressively.

July 2017

Unique and powerful music, stunningly played and recorded – a disc of the month and the disc of the year for me.

Flaminis aura

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