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Rossini: Il barbiere di Siviglia

Danielle de Niese (Rosina), Alessandro Corbelli (Dr Bartolo), Björn Bürger (Figaro), Taylor Stayton (Count Almaviva), Christophoros Stamboglis (Basilio) & Janis Kelly (Berta)

London Philharmonic Orchestra & The Glyndebourne Chorus, Enrique Mazzola (conductor) & Annabel Arden (director)

Rossini: Il barbiere di Siviglia
High-flying American tenor Taylor Stayton proves vocally agile and dramatically vital as Count Almaviva, with Danielle de Niese an entrancing Rosina…as for Alessandro Corbelli’s Bartolo, his...

Rossini: Il barbiere di Siviglia

Danielle de Niese (Rosina), Alessandro Corbelli (Dr Bartolo), Björn Bürger (Figaro), Taylor Stayton (Count Almaviva), Christophoros Stamboglis (Basilio) & Janis Kelly (Berta)

London Philharmonic Orchestra & The Glyndebourne Chorus, Enrique Mazzola (conductor) & Annabel Arden (director)

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NTSC, Region: All

$34.50

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High-flying American tenor Taylor Stayton proves vocally agile and dramatically vital as Count Almaviva, with Danielle de Niese an entrancing Rosina…as for Alessandro Corbelli’s Bartolo, his...

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The ‘sheer visual sophistication’ of Annabel Arden’s Barbiere serves ‘a triumphant celebration of Rossini’s musical genius’, featuring de Niese’s ‘powerfully sung’ Rosina, Bürger’s ‘gale-force’ Figaro and Stayton’s ‘pure and mellifluous’ Almaviva – a leading trio ‘musically and dramatically beyond compare’ (The Independent ★★★★★). Contributing to the ‘ensemble precision’, the rest of the cast includes a ‘scene-stealing’ Berta in Kelly, a ‘suavely unctuous’ Basilio from Stamboglis and Corbelli’s Bartolo, ‘an object lesson in comic understatement’ (The Guardian). With Enrique Mazzola at the helm of the London Philharmonic Orchestra, ‘the score bubbles along on a Puckish current of merry mischief’ (The Telegraph).

Subtitles: EN/FR/DE/JP/KO

Running time: 172 minutes

Sound format: Dolby Stereo, Dolby Surround (DVD)

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Awards and reviews

September 2017

High-flying American tenor Taylor Stayton proves vocally agile and dramatically vital as Count Almaviva, with Danielle de Niese an entrancing Rosina…as for Alessandro Corbelli’s Bartolo, his seriousness of comic approach and sheer expertise as a buffo performer place him in the very top league. Björn Bürger is quite rightly at the centre of the action as Figaro and his splendid baritone a major asset
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