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Special offer. JS Bach: The complete Solo Soprano Cantatas, Vol. 1

The Wedding Cantatas & Ich habe genug

Gillian Keith (soprano)

Armonico Consort, Christopher Monks

JS Bach: The complete Solo Soprano Cantatas, Vol. 1
Gillian Keith’s brilliantly light soprano paired with this top-class period ensemble makes for a delightful disc

Special offer. JS Bach: The complete Solo Soprano Cantatas, Vol. 1

The Wedding Cantatas & Ich habe genug

Gillian Keith (soprano)

Armonico Consort, Christopher Monks

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Gillian Keith’s brilliantly light soprano paired with this top-class period ensemble makes for a delightful disc

About

Soprano Gillian Keith joins acclaimed Baroque ensemble the Armonico Consort under Christopher Monks for the first release in a three disc series featuring the solo cantatas of Johann Sebastian Bach.

Bach’s cantatas hold a special place among performers and devotees of his music. Whether sacred or secular, these works provide incredible variety: some containing elements of narrative similar to the arias and recitatives from his great Passions; many have instrumental movements and solo passages that rival any of his concerti, and are indeed borrowed directly from some of the most famous. Not surprisingly, Bach’s cantatas are often incredibly virtuosic, demanding much technical ease and style.

Originally from Toronto, now living in London UK, Gillian Keith has emerged as one of the leading lyric sopranos of the 21st century. Her superb voice and musicianship are at home on the opera stage, concert platform and she was a regular contributor to John Eliot Gardiner's Bach Pilgrimage and Cantatas series. She studied at the Royal Academy of Music, with Barbara Bonney and Ian Partridge, and is a past winner of both the prestigious Kathleen Ferrier Award [2000] and the ROSL Singing Prizes.

This first release features cantatas 82a, 202 (the famous “Wedding Cantata”) and 210.

Contents and tracklist

I. Aria: Ich habe genug
Track length6:35
II. Recitative - Ich habe genug
Track length0:57
III. Aria - Schlummert ein, ihr matten Augen
Track length8:53
IV. Recitative - Mein Gott! wann kömmt das schöne: Nun!
Track length0:38
V. Aria - Ich freue mich auf meinen Tod
Track length3:12
I. Aria - Weichet nur, betrübte Schatten
Track length6:11
II. Recitative - Die Welt wird wieder neu
Track length0:22
III. Aria - Phoebus eilt mit schnellen Pferden
Track length3:05
IV. Recitative - Drum sucht auch Amor sein Vergnügen
Track length0:35
V. Aria - Wenn die Frühlingslüfte streichen
Track length2:30
VI. Recitative - Und dieses ist das Glücke
Track length0:43
VII. Aria - Sich üben im Lieben
Track length4:01
VIII. Recitative - So sei das Band der keuschen Liebe
Track length0:23
IX. Aria - sehet in Zufriedenheit
Track length1:38
I. Recitative - O holder Tag, erwünschte Zeit
Track length0:51
II. Aria - Spielet, ihr beseelten Lieder
Track length6:06
III. Recitative - Doch, haltet ein, ihr muntern Saiten
Track length1:04
IV. Aria - Ruhet hie, matte Töne
Track length6:39
V. Recitative - So glaubt man denn, dass die Musik verführe
Track length1:51
VI. Aria - Schweigt, ihr Flöten, schweigt, ihr Töne
Track length4:31
VII. Recitative - Was Luft? was Grab?
Track length1:35
VIII. Aria - Großer Gönner, dein Vergnügen
Track length2:49
IX. Recitative - Hochteurer Mann, so fahre ferner fort
Track length1:29
X. Aria - Seid beglückt, edle Beide
Track length4:32

Awards and reviews

July 2017

Gillian Keith’s brilliantly light soprano paired with this top-class period ensemble makes for a delightful disc

August 2017

This mini-series…displays both Bach’s special affinity to this attractive subgenre of cantata and Gillian Keith’s profoundly incisive and intelligent singing. Underpinning these telling vocal excursions is an unaffected simplicity of utterance in the accompanying role of the Armonico Consort…[O holder Tag] could be made for Keith as she traverses the filigree with seasoned panache and always gloriously instinctive textual nuancing

Northern Echo 6th July 2017

Featuring the popular Wedding Cantatas and Ich habe genug, this album is an auspicious start.

Classical Music September 2017

Keith’s light, poised voice is heard to good effect here … Excellent sound and presentation
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