US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details
Liszt/Wagner: Imogen Cooper
Imogen Cooper (piano)
Awards:
-
BBC Music Magazine, May 2017, Instrumental Choice
Cooper’s keyboard mastery is as searching as the music itself…her way of balancing chords mesmerises the ear – both in the consonant close of Sposalizio (whose poised opening is exquisitely...
Liszt/Wagner: Imogen Cooper
Imogen Cooper (piano)
Purchase product
Awards:
-
BBC Music Magazine, May 2017, Instrumental Choice
Cooper’s keyboard mastery is as searching as the music itself…her way of balancing chords mesmerises the ear – both in the consonant close of Sposalizio (whose poised opening is exquisitely...
About
After highly successful recordings of works by Brahms, the Schumanns, and Chopin, Imogen Cooper plunges into the world of another great romantic, Franz Liszt, and places him alongside that other giant, Richard Wagner. This is an evocative programme of original compositions and intimate transcriptions, ranging from poetic movements from the Années de Pèlerinage: Italie to darker and deeply elegiac pieces, including Liszt’s La lugubre gondola I and Wagner’s Elegie. It also features a transcription by Zoltán Kocsis of the intensely passionate prelude to Tristan und Isolde. The famous pianist and conductor died prematurely in November 2016. It was his work that inspired this recording to begin with, and Imogen Cooper dedicates the disc to his memory.
Breathtaking music in unique interpretations: romanticism without melodrama, virtuosity without fuss.
Contents and tracklist
- Imogen Cooper (piano)
- Recorded: 21-24 July 2016
- Recording Venue: Concert Hall, Snape Maltings, Suffolk
Awards and reviews
-
BBC Music MagazineMay 2017Instrumental Choice
May 2017
Cooper’s keyboard mastery is as searching as the music itself…her way of balancing chords mesmerises the ear – both in the consonant close of Sposalizio (whose poised opening is exquisitely delivered) and the strangely dissonant final bars of Il penseroso. This is altogether exceptional music-making
November/December 2017
Chandos’ sound is superb and Conor Farrington’s accompanying essay is a fine bonus.
classicalsource.com September 2017
it's about crystalline arpeggios and cut-glass chords, about trills that purl and tremble like fairy waterfalls at sunset.