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Emil Jonason plays Lindberg & Golijov

Emil Jonason (clarinet)

Vamlingbo Quartet, Norrköping Symphony Orchestra, Christian Lindberg

This is not music at the vanguard of innovation but in its directness of utterance, sharp evocation and keen interplay between soloist and tutti it is a joy. Lindberg can certainly write for...

Emil Jonason plays Lindberg & Golijov

Emil Jonason (clarinet)

Vamlingbo Quartet, Norrköping Symphony Orchestra, Christian Lindberg

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This is not music at the vanguard of innovation but in its directness of utterance, sharp evocation and keen interplay between soloist and tutti it is a joy. Lindberg can certainly write for...

About

Selected by ECHO (the European Concert Hall Organisation) as one of its ‘Rising Stars’ of the 2009/10 season, the Swedish clarinettist Emil Jonason has become increasingly visible on the international music scene. For his first disc on the BIS label he has chosen to record a concerto written for him by his compatriot Christian Lindberg, composer, conductor and legendary trombonist. As Lindberg remarks in his own note on the work, the soloist was involved at all stages of the compositional process. But the Erratic Dreams are the composer’s own – as is the figure of Mr Grönstedt, the main character of those dreams, and of the six movements that make up the colourful score.

In his teens, Emil Jonason was attracted by klezmer music, and played in various klezmer bands. It was therefore a natural choice to combine Lindberg’s concerto with the Argentinian composer Osvaldo Golijov’s work The Dreams and Prayers of Isaac the Blind. In contrast to Lindberg, Golijov found inspiration in a historic figure, the medieval rabbi Isaac the Blind, and his lifelong dedication to the ideas of the Kabbalah. Golijov describes the movements of his work being written in three of the different languages spoken by the Jewish people throughout its history: Aramaic, Yiddish (‘the rich and fragile language of a long exile’) and Hebrew. The work includes references to Jewish prayers as well as to klezmer tunes and the clarinettist is specifically requested by the composer to acquaint himself with the idiom of klezmer music.

Contents and tracklist

I. The Mirror of Saturn
Track length2:31
II. Mr. Grönstedt Dresses for the Spring Ball
Track length2:56
III. Lisa and the Magic Cape
Track length4:56
IV. Grönstedt Looks for Treasures on a Rubbish Heap
Track length2:22
V. Cadenza. The World of Euphoric Dreams
Track length1:49
VI. The Dream of Venus
Track length10:46
Prelude
Track length3:22
II. Part 1
Track length8:33
III. Part 2
Track length10:29
IV. Part 3 (K'vakarat)
Track length9:14
Postlude
Track length2:55

Awards and reviews

July 2017

This is not music at the vanguard of innovation but in its directness of utterance, sharp evocation and keen interplay between soloist and tutti it is a joy. Lindberg can certainly write for orchestra but is never in demonstration mode despite the music's panache. Emil Jonason is impeccably smooth and suave, except when Lindberg asks him not to be.

August 2017

This disc provides a first-class introduction to the dazzling artistry of a brilliant clarinet talent, and provides further evidence of Christian Lindberg’s growing compositional mastery.

Classical Ear July 2017

It’s a rollercoaster of a ride, full of compelling ideas, a characterful clarinet line and rich orchestral accompaniment. Jonason plays it to the hilt, seemingly as far gone in places as Lindberg. There’s a great deal of fun to be had if you are happy to go along with the helter- skelter twists and turns, chiaroscuro emotions and volte- face shifts in mood.
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