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The Masque of Moments: Theatre Of The Ayre
Theatre Of The Ayre, Elizabeth Kenny
Awards:
-
Record Review, 11th March 2017, Recording of the Week
Sophie Daneman’s sensuous soprano offsets the boyish voice of the 15-year-old Rosanna Wicks, while the airy trebles of Salisbury Cathedral Choir balance the earthier tones of the lay clerks...
The Masque of Moments: Theatre Of The Ayre
Theatre Of The Ayre, Elizabeth Kenny
Purchase product
Awards:
-
Record Review, 11th March 2017, Recording of the Week
Sophie Daneman’s sensuous soprano offsets the boyish voice of the 15-year-old Rosanna Wicks, while the airy trebles of Salisbury Cathedral Choir balance the earthier tones of the lay clerks...
About
Elizabeth Kenny’s Theatre of the Ayre reveals some of the most extraordinary music of the 17th century on The Masque of Moments, their debut recording for Linn.
Focusing on the ‘Ayre’, the central part of a Masque, it offers a fascinating glimpse of the audacious and experimental virtuosity that is often absent from our image of English music of this time.
Inspired by the achievements of the ‘Lutes and Voices’, Kenny developed The Masque of Moments in 2015, highlighting the glories of little-known vocal music from the Jacobean and Caroline masque.
The ‘Lutes’’plucked sound world, of which this recording gives a hint, reflects a cornucopia of sounds used to create everything from a tavern scene to a reflection of paradise.
The ‘Voices’ come courtesy of Sophie Daneman, William Purefoy, Ian Wicks, Nicholas Mulroy, Giles Underwood, Rosanna Wicks and Salisbury Cathedral Choir.
Contents and tracklist
- Salisbury Cathedral Choir, Theatre of the Ayre, Sophie Daneman, Nicholas Mulroy, Giles Underwood
- Theatre of the Ayre, Sophie Daneman, Nicholas Mulroy, Giles Underwood, Oliver Harding, Monty Westall
- Theatre of the Ayre, Giles Underwood
- Theatre of the Ayre, William Purefoy, Andrew Stewart, Nicholas Mulroy, Giles Underwood, Rosanna Wicks, Richard Hooper
Awards and reviews
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Record Review11th March 2017Recording of the Week
June 2017
Sophie Daneman’s sensuous soprano offsets the boyish voice of the 15-year-old Rosanna Wicks, while the airy trebles of Salisbury Cathedral Choir balance the earthier tones of the lay clerks and male soloists…[the instrumental playing] is full of flair and improvisatory spirit