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Special offer. The Romantic Piano Concerto 69 - Hill & Boyle

Piers Lane (piano)

Adelaide Symphony Orchestra, Johannes Fritzsch

The Romantic Piano Concerto 69 - Hill & Boyle
One cannot imagine a more persuasive, artful advocate of the music of his two compatriots than Piers Lane who, frankly, is worth hearing in whatever he plays

Special offer. The Romantic Piano Concerto 69 - Hill & Boyle

Piers Lane (piano)

Adelaide Symphony Orchestra, Johannes Fritzsch

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This release includes a digital booklet

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One cannot imagine a more persuasive, artful advocate of the music of his two compatriots than Piers Lane who, frankly, is worth hearing in whatever he plays

About

Alfred Hill and George Boyle enjoyed distinguished careers in their native Australia and abroadBoyle's students in New York included Copland and Barberthough both are all-too-little known today. The piano concerto and sonata by Hillthe 'grand old man' of Australian musical life at the timeare effectively the same work, the one an orchestral expansion of the other.

Contents and tracklist

I. The Question: Adagio – Allegro moderato
Track length10:31
II. Intermezzo (Fancies): Presto
Track length2:03
III. Nocturne (Homage to Chopin): Adagio con moto
Track length7:15
IV. Finale (Contrasts): Allegro
Track length6:23
I. Moderato
Track length10:20
II. Tranquillo, ma non troppo lento
Track length7:47
III. Allegro energico, ma non troppo vivace
Track length11:01
I. The Question: Lento – Allegro
Track length10:08
II. Intermezzo (Fancies): Presto
Track length1:59
III. Nocturne (Homage to Chopin): Adagio
Track length6:21
IV. Finale (Contrasts): Allegro
Track length6:17

Spotlight on this release

Awards and reviews

November 2016

One cannot imagine a more persuasive, artful advocate of the music of his two compatriots than Piers Lane who, frankly, is worth hearing in whatever he plays

2nd December 2016

A very welcome addition to this series; the Boyle is the stand-out.

23rd October 2016

an intriguing disc of Australian examples, Piers Lane making a convincing case for his countrymen’s music. Alfred Hill’s 1941 concerto has a breezy, sunny disposition, with hardly a dark cloud in the sky…[Boyle's is] altogether graver than Hill’s [and] has a final movement to rival anything coming out of Europe at the time.

Classical Ear December 2016

The centrepiece is Boyle’s Concerto in D minor. Composed in 1911, making it arguably the first significant such work by an Australian, it is unabashedly romantic, with orchestral writing of considerable character that feels both ripe and robust, and a particularly thoughtful piano line…Piers Lane and the Adelaide Symphony play with conviction and make a persuasive case for the Boyle if not for the Hill.
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